Journal of the Warburg and Courtauld Institutes, ([= JWCI] Londres, 1937).


List of Contents for Volumes I–LXXI (1937–2008)

This list is arranged by volume and gives titles, authors and page numbers of all Articles and Notes published in the Journal

Journal of the Warburg Institute

Vols I - II (1937 - 1939)

Journal of the Warburg and Courtauld Institutes

Vols III - X (1939 - 1947)

Vols XI - XX (1948 - 1957)

Vols XXI - XXX (1958 - 1967)

Vols XXXI - XL (1968 - 1977)

Vols XLI - L (1978 - 1987)

Vols LI - LX (1988 - 1997)

Vols LXI - LXX (1998 - 2007)

Vol. LXXI (2008)


Vol. I, No. 1 (Jul. 1937); Vol. I, No. 2 (Oct. 1937); Vol. I, No. 3 (Jan. 1938); Vol. I, No. 4 (Apr. 1938); Vol. II, No. 1 (Jul. 1938); Vol. II, No. 2 (Oct. 1938); Vol. II, No. 3 (Jan. 1939); Vol. II, No. 4 (Apr. 1939)

Vol. I, No. 1, July 1937

Sign and Symbol (I, pp. 1-11)

Jacques Maritain; Mary Morris

The Early History of Man in a Cycle of Paintings by Piero di Cosimo (I, pp. 12-30)

Erwin Panofsky

The Rood of Bromholm (I, pp. 31-45)

Francis Wormald

Alkestis in Modern Dress (I, pp. 46-60)

  1. E. M. Butler

A Marsilio Ficino Manuscript Written in Bruges in 1475, and the Alum Monopoly of the Popes (I, pp. 61-62)

  1. F. Saxl

Donatello’s Judith: A Symbol of ‘Sanctimonia’ (I, pp. 62-63)

Edgar Wind

An Emblem by Holbein for Erasmus and More (I, pp. 63-66)

George Clutton

Aenigma Termini (I, pp. 66-69)

Edgar Wind

A Classical Quotation in Michael Angelo’s “Sacrifice of Noah” (I, p. 69)

  1. E. Gombrich

Platonic Justice, Designed by Raphael (I, pp. 69-70)

Edgar Wind

The Maenad under the Cross. Comments on an Observation by Reynolds (I, pp. 70-71)

Edgar Wind

Some Examples of the Role of the Maenad in Florentine Art of the Later Fifteenth and Early Sixteenth Centuries (I, pp. 71-73)

  1. F. Antal

The Power of the Name? (I, p. 73)

  1. F. Saxl

A German Sancho Panza (I, pp. 74-77)

  1. W. F. Mainland

The Pseudonym of Spinoza’s Publisher (I, pp. 77-78)

Charles Singer

An Emendation of Pope by Lessing (I, pp. 78-79)

Edgar Wind

An Unknown Letter of Nicolas Poussin (I, pp. 79-82)

Richard Salomon

Vol. I, No. 2, October 1937

Rhetoric and Politics in Italian Humanism (I, pp. 83-102)

Delio Cantimori; Frances A. Yates

Italian Teachers in Elizabethan England (I, pp. 103-116)

Frances A. Yates

The Hypnerotomachia Poliphili in 17th Century France (I, pp. 117-137)

Anthony Blunt

In Defence of Composite Portraits (I, pp. 138-142)

Edgar Wind

Albrecht von Brandenburg as St. Erasmus (I, pp. 142-162)

Edgar Wind

Machiavelli in an Unknown Contemporary Dialogue (I, pp. 163-166)

Felix Gilbert

Elizabethan Manuscript Translations of Machiavelli’s Prince (I, pp. 166-169)

Napoleone Orsini

A Scene from the Hypnerotomachia in a Painting by Garofalo (I, pp. 169-171)

  1. F. Saxl

Patience and Chance: The Story of a Political Emblem (I, pp. 171-177)

Rudolph Wittkower

Some Musical Representations of the Temperaments (1) Democritus and Heraclitus: A Duet in Major and Minor; (2) The Melancholicus in Instrumental Music (I, pp. 177-180)

Alfred Einstein

The Christian Democritus (I, pp. 180-182)

Edgar Wind

A Heathenish Fountain in St. Wolfgang (I, pp. 182-183)

  1. F. Saxl

The Saint as Monster (I, p. 183)

Edgar Wind

Physiognomical Experiments by Michelangelo and His Pupils (I, pp. 183-184)

Rudolph Wittkower

Verrio’s ‘Terribilita’ (I, pp. 184-185)

Edgar Wind

Vol. I, No. 3, January 1938

Anonymous Gods (I, pp. 187-196)

  1. E. Bikerman

The ‘Romano-Campanian’ Coinage: An Old Problem from a New Angle (I, pp. 197-203)

Harold Mattingly

Relics of Pagan Antiquity in Mediaeval Settings (I, pp. 204-220)

  1. W. S. Heckscher

Josephus the Physician: A Mediaeval Legend of the Destruction of Jerusalem (I, pp. 221-242)

Hans Lewy

The Criminal-God (I, pp. 243-245)

Edgar Wind

The Crucifixion of Haman (I, pp. 245-248)

Edgar Wind

The Criminal-King in a 19th Century Novel (I, pp. 248-249)

Anthony Blunt

A Portrait of Constance of Sicily (I, pp. 249-251)

  1. S. H. Steinberg

Imaginary Journeys from Palestine to France (I, pp. 251-253)

Hans Lewy

Miraculous Birds (1) ‘Physiologus’ in Beatus Manuscripts; (2) ‘Roc’: An Eastern Prodigy in a Dutch Engraving (I, pp. 253-257)

Rudolph Wittkower

The Isle of the Amazons: A Marvel of Travellers (I, pp. 257-259)

Albrecht Rosenthal

Two Notes on the Cult of Ruins: (1) Ruins and Echoes; (2) Utopian Ruins (I, pp. 259-260)

Edgar Wind

A Symbol of Platonic Love in a Portrait Bust by Donatello (I, pp. 260-261)

Rudolph Wittkower

Homo Platonis (I, p. 261)

Edgar Wind

Vol. I, No. 4, April 1938

The Master of Animals (I, pp. 263-265)

Roger Hinks

The Story of Joseph on a Coptic Tapestry (I, pp. 266-268)

Ernst Kitzinger

The Six Days of Creation in a Twelfth Century Manuscript (I, pp. 269-275)

Adelheid Heimann

The Crucifix and the Balance (I, pp. 276-280)

Francis Wormald

Mary in the Burning Bush: Nicolas Froment’s Triptych at Aix-en-Provence (I, pp. 281-286)

  1. E. Harris

Two Early Representations of Lutheranism in France (I, pp. 287-291)

George Clutton

Meditation in Solitude (I, pp. 292-294)

Ursula Hoff

“Was This the Face...?” (I, pp. 295-297)

  1. W. S. Heckscher

Youth, Innocence and Death: Some Notes on a Medallion on the Certosa of Pavia (I, pp. 298-303)

Jean Seznec

Nugae circa Veritatem: Notes on Anton Francesco Doni (I, pp. 304-312)

Gertrud Bing

Chance, Time and Virtue (I, pp. 313-321)

Rudolf Wittkower

Charity: The Case History of a Pattern (I, pp. 322-330)

Edgar Wind

Goethe’s ‘Zueignung’ and Benivieni’s ‘Amore’ (I, pp. 331-339)

Ernst Gombrich

Poussin’s ‘Flight into Egypt’ (I, pp. 340-343)

Charles Mitchell

Poussin’s Notes on Painting (I, pp. 344-351)

Anthony Blunt

Vol. II, No. 1, July 1938

The Arts in the Latin Kingdom of Jerusalem (II, pp. 1-21)

  1. T. S. R. Boase

The Poetical Sermon of a Mediaeval Jurist: Placentinus and His ‘Sermo de Legibus’ (II, pp. 22-41)

Hermann Kantorowicz

Trinitas Creator Mundi (II, pp. 42-52)

Adelheid Heimann

Blake’s ‘Ancient of Days’: The Symbolism of the Compasses (II, pp. 53-63)

Anthony Blunt

A Mediaeval Formula in Kant (II, p. 64)

Edgar Wind

Blake’s ‘Glad Day’ (II, pp. 65-68)

Anthony Blunt

A Simile in Christine de Pisan for Christ’s Conception (II, pp. 68-69)

William Wells

Mary in the Burning Bush (II, pp. 69-70)

Arthur Watson

The Seal of St. Nectan (II, pp. 70-71)

  1. F. Wormald

A Portable Altar in the British Museum (II, pp. 71-72)

  1. S. H. Steinberg

The Literary Sources of the ‘Finiguerra Planets’ (II, pp. 72-74)

  1. F. Saxl

‘Apollo and the Swans’ on the Tomb of St. Sebaldus (II, p. 75)

Jean Seznec

The Four Elements in Raphael’s ‘Stanza della Segnatura’ (II, pp. 75-79)

Edgar Wind

A Note on Michelangelo’s Pieta in St. Peter’s (II, p. 80)

Rudolph Wittkower

‘Adamas Mourned by the Nymphs’ in Schedel’s ‘Liber Antiquitatum’ (II, pp. 80-81)

Alice Wolf

‘Good Counsel’: An Adaptation from Ripa (II, pp. 81-82)

Lothar Freund

‘Grammatica’: From Martianus Capella to Hogarth (II, pp. 82-84)

Rudolph Wittkower

Vol. II, No. 2, October 1938

Translation from the Ancients in Seventeenth-Century France (II, pp. 85-104)

  1. R. W. Ladborough

King Charles II’s Own Fashion: An Episode in Anglo-French Relations 1666-1670 (II, pp. 105-115)

Esmond S. de Beer

The Revolution of History Painting (II, pp. 116-127)

Edgar Wind

Stuart and Revett: Their Literary and Architectural Careers (II, pp. 128-146)

Lesley Lawrence

Piranesi’s “Parere su L’Architettura” (II, pp. 147-158)

Rudolf Wittkower

Monuments to ‘Genius’ in German Classicism (II, pp. 159-163)

Alfred Neumeyer

Hoffmannsthal’s “Elektra”. A Graeco-Freudian Myth (II, pp. 164-175)

  1. E. M. Butler

Wieland’s and Gluck’s Versions of the “Alkestis” (II, pp. 176-177)

Robert Muller-Hartmann

God and Prince in Bach’s Cantatas (II, pp. 178-182)

Anthony Blunt

“Borrowed Attitudes” in Reynolds and Hogarth (II, pp. 182-185)

Edgar Wind

Shaftesbury as a Patron of Art (II, pp. 185-188)

Edgar Wind

Domenico Guidi and French Classicism (II, pp. 188-190)

Rudolph Wittkower

Vol. II, No. 3, January 1939

The Miraculous Cross in Titian’s “Vendramin Family” (II, pp. 191-193)

Philip Pouncey

Transformations of Minerva in Renaissance Imagery (II, pp. 194-205)

Rudolf Wittkower

‘Hercules’ and ‘Orpheus’: Two Mock-Heroic Designs by Durer (II, pp. 206-218)

Edgar Wind

Cornelio Vitelli in France and England (II, pp. 219-226)

Roberto Weiss

Giordano Bruno’s Conflict with Oxford (II, pp. 227-242)

Frances A. Yates

Shakespeare and the Astrology of His Time (II, pp. 243-259)

Moriz Sondheim

An Echo of the “Paragone” in Shakespeare (II, pp. 260-262)

Anthony Blunt

Giordano Bruno between Tragedy and Comedy (II, p. 262)

Edgar Wind

Machiavelli and Guicciardini (II, pp. 263-266)

Felix Gilbert

‘Termaximus’: A Humanist Jest (II, pp. 266-268)

George Clutton

Durer’s “Mannerbad”: A Dionysian Mystery (II, pp. 269-271)

Edgar Wind

The Triclinium in Religious Art (II, pp. 271-276)

Anthony Blunt

Vol. II, No. 4, April 1939

A Lecture on Serpent Ritual (II, pp. 277-292)

  1. A. Warburg; W. F. Mainland

Eagle and Serpent. A Study n the Migration of Symbols (II, pp. 293-325)

Rudolf Wittkower

The Tree of Life in Jewish Iconography (II, pp. 326-345)

Zofja Ameisenowa; W. F. Mainland

Pagan Sacrifice in the Italian Renaissance (II, pp. 346-367)

  1. F. Saxl

The Orphic Blessing (II, pp. 368-374)

  1. E. Bikerman

Two Toponymic Puzzles (II, pp. 375-381)

George Hill

Prognosis and Diagnosis: A Comparison of Ancient and Modern Medicine (II, pp. 382-398)

Walter Pagel

Back to top .


Vol. III, No. 1/2 (Oct. 1939 - Jan. 1940); Vol. III, No. 3/4 (Apr. - Jul. 1940); href="#Volume040102">Vol. IV, No. 1/2 (Oct. 1940 - Jan. 1941); Vol. IV, No. 3/4 (Apr. - Jul. 1941); Vol. V(1942); Vol. VI (1943); Vol. VII (1944); Vol. VIII (1945); Vol. IX (1946); Vol. X (1947).

Vol. III, No. 1/2, April 1939 - July 1940

Allegory in Baroque Music (III, pp. 1-21)

Manfred Bukofzer

The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries (III, pp. 22-48)

Albert Heppner

Two Drawings of the Fetes at Binche for Charles V and Philip (II) 1549 (III, pp. 49-55)

Albert Van de Put

The Authorship of the Drawings of Binche (III, pp. 55-57)

  1. A. E. Popham

El Greco’s “Dream of Philip II”: An Allegory of the Holy League (III, pp. 58-69)

Anthony Blunt

The Battle Scene without a Hero. Aniello Falcone and His Patrons (III, pp. 70-87)

  1. F. Saxl

A Counter-Project to Bernini’s “Piazza di San Pietro” (III, pp. 88-106)

Rudolf Wittkower

A Seventeenth Century Carmelite Legend Based on Tacitus (III, pp. 107-118)

  1. T. S. R. Boase

Rembrandt’s “Synagogue” and Some Problems of Nomenclature (III, pp. 119-126)

Ludwig Munz

Julian the Apostate at Hampton Court (III, pp. 127-137)

Edgar Wind

Titian’s Allegory of “Religion Succoured by Spain”: (1) The Change in Symbolism (III, pp. 138-140)

Rudolf Wittkower

Titian’s Allegory of “Religion Succoured by Spain”: (2) The Condition of the Picture (III, pp. 140-141)

Neil MacLaren

A Self-Portrait of Greco (III, pp. 141-142)

Edgar Wind

A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th-Century Rome (III, pp. 142-147)

Anthony Blunt

Drawings of St Peter’s on a Pilgrim’s Staff in the Museo Sacro (III, pp. 147-153)

Paul A. Underwood

Dante Alighieri Alchymicus Amoris (III, pp. 153-155)

  1. C. S. Gutkind

A Portrait of Isabella of Castille on Coins (III, p. 155)

Helen Rosenau

A Symbolic Portrait of Descartes (III, p. 156)

Roger Hinks

The Monarch’s Crown of Thorns: (1) The Wreath of Thorns in “Paradise Regained” (III, pp. 156-160)

Allan H. Gilbert

The Monarch’s Crown of Thorns: (2) Heine on Louis Philippe (III, pp. 160-161)

Edgar Wind

Two Unknown Letters of Charles Burney (III, pp. 161-164)

Robert Muller-Hartmann

Vol. III, No. 3/4, October 1939 - January 1940

The Este Portrait by Roger van der Weyden (III, pp. 165-180)

Ernst Kantorowicz

The Religious Policy of Giordano Bruno (III, pp. 181-207)

Frances A. Yates

Louis Machon’s “Apologie Pour Machiavelle”: 1643 and 1668 (III, pp. 208-227)

  1. K. T. Butler

“Veritas Filia Temporis”: Hadrianus Junius and Geoffrey Whitney (III, pp. 228-240)

Donald Gordon

An Illustration by Holbein of the Legend of Herkinbald (III, pp. 241-243)

Campbell Dodgson

A “Memento Mori” among Early Italian Prints (III, pp. 243-248)

Horst W. Janson

The Title of Campanella’s “City of the Sun” (III, pp. 248-251)

Paolo Treves

The Latin Element in the English Currency System (III, pp. 251-254)

Gerhard Schmidt

The Duke of Wellington’s Funeral Car (III, pp. 254-259)

Leopold Ettlinger

Vol. IV, No. 1/2, October 1940 - January 1941

Alberti’s Approach to Antiquity in Architecture (IV, pp. 1-18)

Rudolf Wittkower

The Classical Inscription in Renaissance Art and Politics: Bartholomaeus Fontius: Liber monumentorum Romanae urbis et aliorum locorum (IV, pp. 19-46)

  1. F. Saxl

Two Roman Reliefs in Renaissance Disguise (IV, pp. 47-66)

Phyllis L. Williams

The First Facade of the Cathedral of Florence (IV, pp. 67-79)

Martin Weinberger

The Synagogue and Protestant Church Architecture (IV, pp. 80-84)

Helen Rosenau

Jean Fouquet: A Study of His Style (IV, pp. 85-102)

Otto Pacht

The Myth of Philemon and Baucis in Art (IV, pp. 103-113)

Wolfgang Stechow

The Subject of Botticelli’s “Derelitta” (IV, pp. 114-117)

Edgar Wind

Vol. IV, No. 3/4, April 1941 - July 1942

The Creation of the Rococo (IV, pp. 119-123)

Fiske Kimball

The Sources of David’s Horaces (IV, pp. 124-138)

Edgar Wind

Napoleon as “Roi Thaumaturge” (IV, pp. 139-141)

Walter Friedlaender

Flaubert and India (IV, pp. 142-150)

Jean Seznec

Gericault’s Paintings of the Insane (IV, pp. 151-163)

Margaret Miller

Courbet and Popular Imagery: An Essay on Realism and Naiveté (IV, pp. 164-191)

Meyer Schapiro

Vol. V, 1942

Introduction to an “Iconography of Mediaeval Architecture” (V, 1942, pp. 1-33)

Richard Krautheimer

The Mosaic of the Great Palace in Constantinople (V, 1942, pp. 34-43)

Gerard Brett

Eastern Elements in English Ecclesiastical Music (V, 1942, pp. 44-55)

Egon Wellesz

Ivories and Litanies (V, 1942, pp. 56-81)

Ernst Kantorowicz

A Spiritual Encyclopaedia of the Later Middle Ages (V, 1942, pp. 82-142)

  1. F. Saxl

The Apocalypse Block-Books and Their Manuscript Models (V, 1942, pp. 143-158)

Gertrud Bing

Marvels of the East. A Study in the History of Monsters (V, 1942, pp. 159-197)

Rudolf Wittkower

The Beginnings of Political Thought in Florence. A Study in Mediaeval Historiography (V, 1942, pp. 198-227)

Nicolai Rubinstein

The Peace of the Ara Pacis (V, 1942, pp. 228-231)

Arnaldo Momigliano

Terms of Architectural Planning in the Middle Ages (V, 1942, pp. 232-237)

Nikolaus Pevsner

Mediaeval Romances in Renaissance Tapestries (V, 1942, pp. 237-245)

Betty Kurth

Vol. VI, 1943

The Ruthwell Cross (VI, 1943, pp. 1-19)

  1. F. Saxl

Alliance of England and Sicily in the Second Half of the 12th Century (VI, 1943, pp. 20-32)

Evelyn Jamison

John of Salisbury and Pseudo-Plutarch (VI, 1943, pp. 33-39)

  1. H. Liebeschutz

The Cycle of Images in the Palaces and Castles of Henry III (VI, 1943, pp. 40-50)

Tancred Borenius

A Giottesque Episode in English Mediaeval Art (VI, 1943, pp. 51-70)

Otto Pacht

The Fitzwarin Psalter and Its Allies (VI, 1943, pp. 71-79)

Francis Wormald

The Inter-Action of English and Low Country Sculpture in the 16th Century: With a Note on the Works of Joseph Hollemans of Burton-upon-Trent (VI, 1943, pp. 80-88)

  1. K. A. Esdaile

Nicholas Hilliard and Mannerist Art Theory (VI, 1943, pp. 89-100)

John Pope-Hennessy

The Emblematic Conceit in Giordano Bruno’s De Gli Eroici Furori and in the Elizabethan Sonnet Sequences (VI, 1943, pp. 101-121)

Frances A. Yates

The Imagery of Ben Jonson’s The Masque of Blacknesse and The Masque of Beautie (VI, 1943, pp. 122-141)

  1. D. J. Gordon

Some Church Designs by John Webb (VI, 1943, pp. 142-150)

Margaret Whinney

A Classical Aspect of Hogarth’s Theory of Art (VI, 1943, pp. 151-153)

  1. J. T. A. Burke

Pseudo-Palladian Elements in English Neo-Classical Architecture (VI, 1943, pp. 154-164)

Rudolf Wittkower

Eighteenth Century Elysiums: The Role of “Association” in the Landscape Movement (VI, 1943, pp. 165-189)

  1. H. F. Clark

Blake’s Pictorial Imagination (VI, 1943, pp. 190-212)

Anthony Blunt

Ecclesia and an Angel on the Andrew Auckland Cross (VI, 1943, pp. 213-214)

Betty Kurth

“The Quakers’ Meeting” (VI, 1943, pp. 214-216)

  1. F. Saxl

An Italian in Restoration England (VI, 1943, pp. 216-220)

  1. F. A. Yates

Federico Zuccari and John Wood of Bath (VI, 1943, pp. 220-222)

  1. R. Wittkower

The Lion Filled with Lilies. A Reminiscence of Leonardo in Hogarth (VI, 1943, pp. 222-223)

  1. E. Wind

Reynolds and Pope on Composite Beauty (VI, 1943, p. 223)

  1. E. Wind

A Lost Article on David by Reynolds (VI, 1943, pp. 223-224)

  1. E. Wind

Harlequin between Tragedy and Comedy (VI, 1943, pp. 224-225)

  1. E. Wind

“Milking the Bull and the He-Goat” (VI, 1943, p. 225)

  1. E. Wind

Blake’s “Brazen Serpent” (VI, 1943, pp. 225-227)

  1. A. Blunt

Vol. VII, 1944

Mediaeval Art and America (VII, 1944, pp. 1-6)

  1. C. R. Morey

Architects and Builders in Mexico: 1521-1550 (VII, 1944, pp. 7-19)

George Kubler

Benjamin West’s “Death of General Wolfe” and the Popular History Piece (VII, 1944, pp. 20-33)

Charles Mitchell

John La Farge and the South Sea Idyll (VII, 1944, pp. 34-39)

Henry La Farge

Photography and the Development of Kinetic Visualization (VII, 1944, pp. 40-45)

Beaumont Newhall

Frank Lloyd Wright and the ‘Academic Tradition’ of the Early Eighteen-Nineties (VII, 1944, pp. 46-63)

Henry-Russell Hitchcock

The Hall of the Great Council of Florence (VII, 1944, pp. 65-81)

  1. J. Wilde

Right and Left in Raphael’s Cartoons (VII, 1944, pp. 82-94)

  1. A. Paul Oppe

Veritas and Justitia Triumphant (VII, 1944, pp. 95-101)

Guy de Tervarent

Principles of Palladio’s Architecture: I (VII, 1944, 1944, pp. 102-122)

Rudolf Wittkower

Paolo Sarpi’s “History of the Council of Trent” (VII, 1944, pp. 123-143)

Frances A. Yates

William Harvey: Some Neglected Aspects of Medical History (VII, 1944, pp. 144-153)

Walter Pagel

The Heroic and the Ideal Landscape in the Work of Nicolas Poussin (VII, 1944, pp. 154-168)

Anthony Blunt

Vol. VIII, 1945

Two Models for the “Heures de Rohan” (VIII, 1945, pp. 1-6)

  1. J. Porcher

Botticelli’s Mythologies: A Study in the Neoplatonic Symbolism of His Circle (VIII, 1945, pp. 7-60)

  1. E. H. Gombrich

Melancholia in the Sonnets of Lorenzo De’ Medici (VIII, 1945, pp. 61-67)

Andre Chastel

Principles of Palladio’s Architecture: II (VIII, 1945, pp. 68-106)

Rudolf Wittkower

Hymenaei: Ben Jonson’s Masque of Union (VIII, 1945, pp. 107-145)

  1. D. J. Gordon

Two Bavarian “Gnadenbilder” and Their Records in Art (VIII, 1945, pp. 146-151)

Campbell Dodgson

The “Crucifixion of St. Peter”: Caravaggio and Reni (VIII, 1945, pp. 152-160)

Walter Friedlaender

The Drawings of Giovanni Benedetto Castiglione (VIII, 1945, pp. 161-174)

Anthony Blunt

Flaubert and the Graphic Arts (VIII, 1945, pp. 175-190)

Jean Seznec

French Sixteenth Century Genre Paintings (VIII, 1945, pp. 191-195)

Jean Adhemar

Massacre and Persecution Pictures in Sixteenth Century France (VIII, 1945, pp. 195-199)

Jean Ehrmann

A Musical Symbol of Death (VIII, 1945, pp. 199-203)

Robert Muller-Hartmann

Vol. IX, 1946

An “Antique” Reworking of an Antique Head (IX, 1946, pp. 1-9)

Ranuccio Bianchi Bandinelli

Mediaeval Biographies of Ovid (IX, 1946, pp. 10-59)

Fausto Ghisalberti

The Origin of the Word “Humanist” (IX, 1946, pp. 60-73)

Augusto Campana

Febris: A Poetic Myth Created by Poliziano (IX, 1946, pp. 74-95)

Alessandro Perosa; Peter Murray; Mrs. Peter Murray

The Architecture of Brunelleschi and the Origins of Perspective Theory in the Fifteenth Century (IX, 1946, pp. 96-121)

Giulio Carlo Argan; Nesca A. Robb

“Policy”: Or the Language of Elizabethan Machiavellianism (IX, 1946, pp. 122-134)

Napoleone Orsini

The Pagan Origins of the Three-Headed Representation of the Christian Trinity (IX, 1946, pp. 135-151)

  1. R. Pettazzoni

Friedrich Creuzer and Greek Historiography (IX, 1946, pp. 152-163)

Arnaldo Momigliano

Vol. X, 1947

Fritz Saxl: January 8th, 1890-March 22nd, 1948 (X, 1947, unpaginated, 2 pp.)

Ingres and the Antique (X, 1947, pp. 1-13)

Agnes Mongan

Virgil’s Fourth Eclogue (X, 1947, pp. 14-19)

Harold Mattingly

The Reconstruction of a Polyptych by Michele Giambono (X, 1947, pp. 20-26)

Evelyn Sandberg-Vavala

Queen Elizabeth as Astraea (X, 1947, pp. 27-82)

Frances A. Yates

Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries (X, 1947, pp. 83-108)

  1. T. S. R. Boase

Voltaire and Fragonard: Notes on a Legend (X, 1947, pp. 109-113)

Jean Seznec

A Title-Page in Blake’s Illustrated Genesis Manuscript (X, 1947, pp. 114-122)

Piloo Nanavutty

Lord Lindsay’s History of Christian Art (X, 1947, pp. 123-131)

John Steegman

Van Gogh and Literature (X, 1947, pp. 132-147)

Carl Nordenfalk

Saligia (X, 1947, pp. 148-150)

Arthur Watson

The Borders of Filarete’s Bronze Doors to St. Peter’s (X, 1947, pp. 150-153)

Helen Roeder

A Humanist Invective against an Unnamed English Poet (X, 1947, pp. 153-155)

  1. R. Weiss

The Frontispiece to Sigismondo Fanti’s Triompho di Fortuna (X, 1947, pp. 155-159)

Robert Eisler

Penny, West, and the ‘Death of Wolfe’ (X, 1947, pp. 159-162)

Edgar Wind

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Vol. XI (1948); Vol. XII (1949); Vol. XIII, No. 1/2 (1950); Vol. XIII, No. 3/4 (1950); Vol. XIV, No. 1/2 (1951); Vol. XIV, No. 3/4 (1951); Vol. XV, No. 1/2 (1952); Vol. XV, No. 3/4 (1952);Vol. XVI, No. 1/2 (1953); Vol. XVI, No. 3/4 (1953); Vol. XVII, No. 1/2 (1954); Vol. XVII, No. 3/4 (1954); Vol. XVIII, No. 1/2 (1955); Vol. XVIII, No. 3/4 (1955); Vol. XIX, No. 1/2(1956); Vol. XIX, No. 3/4 (1956); Vol. XX, No. 1/2 (1957); Vol. XX, No. 3/4 (1957).

Vol. XI, 1948

The Zodiacal Miniature of the Tres Riches Heures of the Duke of Berry: Its Sources and Meaning (XI, 1948, pp. 1-34)

Harry Bober

St. Zacharias the Prophet and Martyr: A Study in Charms and Incantations (XI, 1948, pp. 35-67)

  1. A. A. Barb

The Evolution of the Caritas Figure in the Thirteenth and Fourteenth Centuries (XI, 1948, pp. 68-86)

  1. R. Freyhan

A Stained Glass Atelier of the Thirteenth Century: A Study of Windows in the Cathedrals of Bourges, Chartres and Poitiers (XI, 1948, pp. 87-111)

Louis Grodecki; Mary Weedon

Allegory and Romance on a Mediaeval French Marriage Casket (XI, 1948, pp. 112-142)

David J. A. Ross

Gothic: Origin and Diffusion of the Term; The Idea of Style in Architecture (XI, 1948, pp. 143-162)

  1. E. S. de Beer

Icones Symbolicae: The Visual Image in Neo-Platonic Thought (XI, 1948, pp. 163-192)

  1. E. H. Gombrich

Vol. XII, 1949

French Influences on the Origins of English Gothic Architecture (XII, 1949, pp. 1-15)

Jean Bony

The Decorative Character of Westminster Abbey (XII, 1949, pp. 16-20)

Geoffrey Webb

Animal-Headed Gods, Evangelists, Saints and Righteous Men (XII, 1949, pp. 21-45)

Zofia Ameisenowa

The Construction of Certain Seals and Characters in the Work of Agrippa of Nettesheim (XII, 1949, pp. 46-57)

Karl Anton Nowotny

Developments in Renaissance Perspective: I (XII, 1949, pp. 58-79)

John White

Who Is Jan van Eyck’s “Tymotheos”? (XII, 1949, pp. 80-90)

Erwin Panofsky

Rabelais, the Last of the French Erasmians (XII, 1949, pp. 91-100)

Raymond Lebegue

Bernardo Rucellai and the Orti Oricellari: A Study on the Origin of Modern Political Thought (XII, 1949, pp. 101-131)

Felix Gilbert

The Life of Polydore Vergil of Urbino (XII, 1949, pp. 132-151)

Denys Hay

Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones (XII, 1949, pp. 152-178)

  1. D. J. Gordon

Archbishop Abbot’s Tomb at Guildford: A Problem in Early Caroline Iconography (XII, 1949, pp. 179-188)

Joseph Burke

Notes on Petrarch, John of Salisbury and the Institutio Traiani (XII, 1949, pp. 189-190)

Arnaldo Momigliano; H. Liebeschutz

Petrarch Minutiae (XII, 1949, pp. 190-191)

  1. R. Weiss

Emendation to Francesco da Fiano’s Invective (XII, 1949, pp. 191-192)

Erwin Panofsky

An Unpublished Letter of Ulrich von Hutten (XII, 1949, pp. 192-196)

Richard G. Salomon

A Note on Magic Squares in the Philosophy of Agrippa of Nettesheim (XII, 1949, pp. 196-199)

  1. I. R. F. Calder

Antoine Caron’s Massacre Paintings (XII, 1949, pp. 199-200)

Jean Adhemar

The So-Called ‘Portrait of Mansard and Claude Perrault’ by Philippe de Champaigne (XII, 1949, pp. 200-202)

Helene J. Adhemar

Vol. XIII, No. 1/2, 1950

The Coronation of the Virgin on a Capital from Reading Abbey (XIII, 1950, pp. 1-12)

George Zarnecki

Early Italian Nature Studies and the Early Calendar Landscape (XIII, 1950, pp. 13-47)

Otto Pacht

The Early Publications of the Temples at Paestum (XIII, 1950, pp. 48-64)

  1. S. Lang

European Vision and the South Pacific (XIII, 1950, pp. 65-100)

Bernard Smith

The American and Nature (XIII, 1950, pp. 101-149)

Hans Huth

Vol. XIII, No. 3/4, 1950

Gonzaga Symbols in the Palazzo del Te (XIII, 1950, pp. 151-188)

Frederick Hartt

The Sala dei Venti in the Palazzo del Te (XIII, 1950, pp. 189-201)

  1. E. H. Gombrich

Holbein, Torrigiano and Some Portraits of Dean Colet: A Study of Holbein’s Work in Relation to Sculpture (XIII, 1950, pp. 202-236)

  1. F. Grossmann

The Twelve Pictures “Ordered by Velasquez” and the Trial of Valguarnera (XIII, 1950, pp. 237-284)

Jane Costello

Ancient History and the Antiquarian (XIII, 1950, pp. 285-315)

Arnaldo Momigliano

The Eagle-Stone (XIII, 1950, pp. 316-318)

  1. A. A. Barb

The Vulture Epistle (XIII, 1950, pp. 318-322)

  1. A. A. Barb

The Pictorial Source of Ripa’s “Historia” (XIII, 1950, pp. 322-323)

  1. L. D. Ettlinger

A Seventeenth-Century Typological Cycle of Paintings in the Armenian Cathedral at Julfa (XIII, 1950, pp. 323-327)

  1. T. S. R. Boase

The Grave of Euripides in Robert Browning (XIII, 1950, pp. 327-328)

  1. J. H. Croon

Vol. XIV, No. 1/2, 1951

The Lateran Fresco of Boniface VIII (XIV, 1951, pp. 1-6)

Charles Mitchell

The First Edition of Lucian of Samosata (XIV, 1951, pp. 7-20)

  1. E. P. Goldschmidt

New Light on Humanism in England during the Fifteenth Century (XIV, 1951, pp. 21-33)

  1. R. Weiss

“Nebulae in Pariete”; Notes on Erasmus’ Eulogy on Durer (XIV, 1951, pp. 34-41)

Erwin Panofsky

Developments in Renaissance Perspective: II (XIV, 1951, pp. 42-69)

John White

The Belvedere as a Classical Villa (XIV, 1951, pp. 70-91)

James S. Ackerman

Transformations of Dante’s Ugolino (XIV, 1951, pp. 92-117)

Frances A. Yates

An Italian Poet at the Court of Henry VII (XIV, 1951, pp. 118-119)

Francis Wormald

Hypnerotomachiana (XIV, 1951, pp. 119-125)

  1. E. H. Gombrich

An Illustration of the Ugolino Episode by Pierino da Vinci (XIV, 1951, pp. 125-127)

  1. J. Wilde

Titian’s Allegory of ‘Religion’ (XIV, 1951, pp. 127-132)

  1. E. Tietze-Conrat

Antoine Caron’s Paintings for Triumphal Arches (XIV, 1951, pp. 132-134)

Frances A. Yates

A Note on Thomas Gainsborough and Adriaen de Vries (XIV, 1951, p. 134)

Graham Sawyer

Petrarch Minutiae: Correction (XIV, 1951, p. 135)

  1. R. Weiss

Vol. XIV, No. 3/4, 1951

Petrarch and the Textual Tradition of Livy (XIV, 1951, pp. 137-208)

  1. G. Billanovich

The Genesis of the Teatro Olimpico (XIV, 1951, pp. 209-220)

Licisco Magagnato

‘Gli Amori de’ Carracci’: Four Forgotten Paintings by Agostino Carracci (XIV, 1951, pp. 221-233)

Otto Kurz

Seventeenth-Century English Literature on Painting (XIV, 1951, pp. 234-258)

Luigi Salerno

Racine and Chauveau (XIV, 1951, pp. 259-274)

Raymond Picard

Despot and Despotism: Vicissitudes of a Political Term (XIV, 1951, pp. 275-302)

  1. R. Koebner

A Leonardo Drawing and the Medici Diomedes Gem (XIV, 1951, pp. 303-304)

Bettina H. Polak

Notes on ‘Hercules at the Crossroads’ (XIV, 1951, pp. 305-309)

  1. E. Tietze-Conrat

Vol. XV, No. 1/2, 1952

State Festivals in Egypt and Mesopotamia (XV, 1952, pp. 1-12)

  1. H. Frankfort

Minos of Crete (XV, 1952, pp. 13-19)

John Forsdyke

The Image of the Delian Apollo and Apolline Ethics (XV, 1952, pp. 20-32)

  1. R. Pfeiffer

The Dating of the Column of Marcus Aurelius (XV, 1952, pp. 33-47)

John Morris

An Illustrated Evangelistary of the Ada School and Its Model (XV, 1952, pp. 48-66)

Wilhelm Koehler

Nectanebus in His Palace: A Problem of Alexander Iconography (XV, 1952, pp. 67-87)

  1. D. J. A. Ross

Revivals of Roman Law (XV, 1952, pp. 88-98)

  1. H. F. Jolowicz

The Hero with Two Swords (XV, 1952, pp. 99-100)

Martin Robertson

Vol. XV, No. 3/4, 1952

The Motif of Radiance in Rembrandt’s Biblical Drawings (XV, 1952, pp. 101-121)

H.-M. Rotermund

English Painting and France in the Eighteenth Century (XV, 1952, pp. 122-135)

Ellis K. Waterhouse

Italian Models of Hogarth’s Picture Stories (XV, 1952, pp. 136-168)

Hilde Kurz

The Moral Purpose of Hogarth’s Art (XV, 1952, pp. 169-197)

  1. F. Antal

The Horse of Marcus Aurelius: A Controversy between Diderot and Falconet (XV, 1952, pp. 198-228)

  1. H. Dieckmann; J. Seznec

Diderot and Le Genie du Christianisme (XV, 1952, pp. 229-241)

Jean Seznec

Blake’s Vision of Slavery (XV, 1952, pp. 242-252)

David V. Erdman

An English Copy of a Carracci Altarpiece (XV, 1952, pp. 253-254)

  1. T. S. R. Boase

A Classical ‘Rake’s Progress’ (XV, 1952, pp. 254-256)

  1. E. H. Gombrich

An Unpublished Notice of Diderot on Falconet (XV, 1952, pp. 257-258)

  1. H. Dieckmann

Blake and Emblem Literature (XV, 1952, pp. 258-261)

Piloo Nanavutty

Vol. XVI, 1/2, 1953

The Castle of Gaillon in 1509-10 (XVI, 1953, pp. 1-12)

Roberto Weiss

St. Francis and the Birds of the Apocalypse (XVI, 1953, pp. 13-23)

  1. F. D. Klingender

Jewish Antecedents of Christian Art (XVI, 1953, pp. 24-44)

Cecil Roth

A Newly Discovered Manuscript of Opicinus de Canistris: A Preliminary Report (XVI, 1953, pp. 45-57)

Richard G. Salomon

Notes on Some Early Giotto Sources (XVI, 1953, pp. 58-80)

Peter Murray

The Modus Tenendi Parliamentum (XVI, 1953, pp. 81-99)

  1. V. H. Galbraith

Orpheus the Theologian and Renaissance Platonists (XVI, 1953, pp. 100-120)

  1. D. P. Walker

The Conflict of Ideals in Mutianus Rufus: A Study in the Religious Philosophy of Northern Humanism (XVI, 1953, pp. 121-143)

Lewis W. Spitz

Heliodorus’ Aethiopica in Art (XVI, 1953, pp. 144-152)

Wolfgang Stechow

Job and Christ: The Development of a Devotional Image (XVI, 1953, pp. 153-158)

  1. G. Von der Osten

Two Mysterious Busts at the Porta Nolana in Naples (XVI, 1953, pp. 158-159)

  1. E. Tietze-Conrat

A Lost Painting in Henry III’s Palace at Westminster (XVI, 1953, p. 160)

  1. D. J. A. Ross

A Note on the “First” Edition of the Latin Translation of Some of Lucian of Samosata’s Dialogues (XVI, 1953, pp. 161-162)

Jose Ruysschaert

The Illusion of Postel’s Feminism (XVI, 1953, pp. 162-170)

  1. M. A. Screech

Vol. XVI, No. 3/4, 1953

Huius Nympha Loci: A Pseudo-Classical Inscription and a Drawing by Durer (XVI, 1953, pp. 171-177)

Otto Kurz

Petrarch and the Story of the Choice of Hercules (XVI, 1953, pp. 178-192)

Theodor E. Mommsen

Diva Matrix: A Faked Gnostic Intaglio in the Possession of P. P. Rubens and the Iconology of a Symbol (XVI, 1953, pp. 193-238)

  1. A. A. Barb

Pollaiuolo’s Tomb of Pope Sixtus IV (XVI, 1953, pp. 239-274)

  1. L. D. Ettlinger

Brunelleschi and ‘Proportion in Perspective’ (XVI, 1953, pp. 275-291)

  1. R. Wittkower

The Perspective of Piero della Francesca’s ‘Flagellation’ (XVI, 1953, pp. 292-302)

  1. R. Wittkower; B. A. R. Carter

Eclecticism and the Carracci: Further Reflections on the Validity of a Label (XVI, 1953, pp. 303-341)

Denis Mahon

Portraits “a l’antique” on French Mediaeval Gems and Seals (XVI, 1953, pp. 342-350)

  1. H. Wentzel; Charles Mitchell

The Castle of Gaillon in 1509-10 (Additional Note) (XVI, 1953, p. 351)

Roberto Weiss

Vol. XVII, No. 1/2, 1954

The ‘Harvester’ Vase of Hagia Triada (XVII, 1954, pp. 1-9)

John Forsdyke

Personification as a Mode of Greek Thought (XVII, 1954, pp. 10-21)

  1. T. B. L. Webster

An Unsolved Problem of Historical Forgery: The Scriptores Historiae Augustae (XVII, 1954, pp. 22-46)

Arnaldo Momigliano

The Crab and the fly: A Study in Animal Symbolism (XVII, 1954, pp. 47-86)

  1. W. Deonna

Irish High Crosses (XVII, 1954, pp. 87-97)

Robin Flower

Alexander the Great in Mediaeval Theology (XVII, 1954, pp. 98-114)

George Cary

The Art of Ramon Lull: An Approach to It through Lull’s Theory of the Elements (XVII, 1954, pp. 115-173)

Frances A. Yates

An Unrecorded Follower of Piero della Francesca (XVII, 1954, pp. 174-181)

  1. D. J. A. Ross

Fire-Altars of the Sassanian Period at Balkh (XVII, 1954, pp. 182-183)

  1. A. D. H. Bivar

Remarks on the “Adoratio” under Diocletian (XVII, 1954, pp. 184-189)

  1. H. Stern

Vol. XVII, No. 3/4, 1954

In Memoriam: Henri Frankfort. Director of the Warburg Institute 1st May 1949 - 16th July 1954 (1 p.)The Wilton Diptych (XVII, 1954, pp. 191-203)

Francis Wormald

The Prisca Theologia in France (XVII, 1954, pp. 204-259)

  1. D. P. Walker

Cephalus and Procris: Transformations of an Ovidian Myth (XVII, 1954, pp. 260-287)

Irving Lavin

The Programme of the SS. Annunziata in Florence (XVII, 1954, pp. 288-300)

  1. S. Lang

Michelangelo on Effort and Rapidity in Art (XVII, 1954, pp. 301-310)

Robert J. Clements

Aretino: Artistic Adviser to Francis I (XVII, 1954, pp. 311-318)

  1. J. Adhemar

The Decoration of the New Palace of Westminster, 1841-1863 (XVII, 1954, pp. 319-358)

  1. T. S. R. Boase

A Horatian Ode and Its Descendants (XVII, 1954, pp. 359-365)

John Sparrow

Cephalus and Procris: Underground Transformations (XVII, 1954, pp. 366-372)

Irving Lavin

Cosi fan Tutte (Procris Included) (XVII, 1954, pp. 372-374)

  1. E. H. Gombrich

The Religious Views of Abraham Ortelius (XVII, 1954, pp. 374-377)

Rene Boumans

A Book from the Gonzaga Library at Mantua (XVII, 1954, pp. 377-380)

  1. D. E. Rhodes

A Renaissance Work Copied by Wedgwood (XVII, 1954, pp. 380-381)

Jennifer Montagu

Burlington, Adam and Gandon (XVII, 1954, pp. 381-382)

Maurice Craig

A Note on James Barry and Edmund Burke (XVII, 1954, pp. 382-384)

  1. R. R. Wark

John Runciman’s ‘Lear in the Storm’ (XVII, 1954, pp. 385-387)

  1. W. M. Merchant

Vol. XVIII, No. 1/2, 1955

The Vine Columns of Old St. Peter’s in Carolingian Canon Tables (XVIII, 1955, pp. 1-15)

Elisabeth Rosenbaum

Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a Humanist Poet (XVIII, 1955, pp. 16-34)

  1. E. H. Gombrich

A Group of Florentine Drawings for an Altar (XVIII, 1955, pp. 35-53)

Otto Kurz

Michelangelo’s Designs for the Medici Tombs (XVIII, 1955, pp. 54-66)

Johannes Wilde

Images of the Human Hand as Amulets in Spain (XVIII, 1955, pp. 67-89)

  1. W. L. Hildburgh

Milton and the Conjectura Cabbalistica (XVIII, 1955, pp. 90-113)

  1. R. J. Zwi Werblowsky

A Lost Fresco of Niccolo dell’ Abbate at Bologna in Honour of Julius III (XVIII, 1955, pp. 114-122)

Sylvie Beguin

William Talman (XVIII, 1955, pp. 123-139)

  1. M. D. Whinney

An Illustration of the Five Senses in Mediaeval Art (XVIII, 1955, pp. 140-141)

  1. F. Mutherich

Identification and Translation of a Letter of Guarino Guarini of Verona (XVIII, 1955, pp. 142-143)

Patricia Hochschild

Vol. XVIII, No. 3/4, 1955

An Oxford College and the Gothic Revival (XVIII, 1955, pp. 145-188)

  1. T. S. R. Boase

The Original Plan of the Divine Comedy (XVIII, 1955, pp. 189-210)

Hiram Peri

Joachism and the English Apocalypse (XVIII, 1955, pp. 211-244)

  1. R. Freyhan

The “Third Reich”: A Fifteenth-Century Polemic against Joachism, and Its Background (XVIII, 1955, pp. 245-295)

Ruth Kestenberg-Gladstein

Poussin’s Drawings for Marino and the New Classicism: I. Ovid’s Metamorphoses (XVIII, 1955, pp. 296-317)

Jane Costello

The Drawing of an Angel in MS. 28, St. John’s College, Oxford (XVIII, 1955, pp. 318-319)

Barbara Raw

Some Van Eyckian Illuminations from Italy (XVIII, 1955, pp. 319-321)

Roberto Weiss

Vol. XIX, No. 1/2, 1956

The Role of Amulets in Mesopotamian Ritual Texts (XIX, 1956, pp. 1-39)

Beatrice L. Goff

Mensa Sacra: The Round Table and the Holy Grail (XIX, 1956, pp. 40-67)

  1. A. A. Barb

The Illustrations of St. Anselm’s Prayers and Meditations (XIX, 1956, pp. 68-83)

Otto Pacht

Cavallini and the Lost Frescoes in S. Paolo (XIX, 1956, pp. 84-95)

John White

‘Combat between Carnival and Lent’ by Pieter Bruegel the Elder: An Allegorical Picture of the Sixteenth Century (XIX, 1956, pp. 96-109)

  1. C. G. Stridbeck

Shaftesbury’s Last Commission (XIX, 1956, pp. 110-116)

  1. J. E. Sweetman

Coleridge’s Ancient Mariner and Cook’s Second Voyage (XIX, 1956, pp. 117-154)

Bernard Smith

Virtutum et Viciorum Adumbracio (XIX, 1956, pp. 155-156)

  1. L. D. Ettlinger

John Evelyn at Tivoli (XIX, 1956, pp. 157-158)

David R. Coffin

The Country House Poem of the Seventeenth Century (XIX, 1956, pp. 159-174)

  1. G. R. Hibbard

Poggio Bracciolini and Johannes Hus: A Hoax Hard to Kill (XIX, 1956, pp. 174-177)

Richard G. Salomon

Vol. XIX, No. 3/4, 1956

Cyriac of Ancona and the Temple of Hadrian at Cyzicus (XIX, 1956, pp. 179-191)

Bernard Ashmole

The Alhambra Palace of the Eleventh Century (XIX, 1956, pp. 192-258)

Frederick P. Bargebuhr

Novels in Ebony (XIX, 1956, pp. 259-268)

Th. H. Lunsingh Scheurleer

Flaxman and the Eighteenth Century. A Commemorative Lecture (XIX, 1956, pp. 269-282)

Margaret Whinney

English Artists and the Val d’Aosta (XIX, 1956, pp. 283-293)

  1. T. S. R. Boase

The Hearse-Cloth of Henry VII Belonging to the University of Cambridge (XIX, 1956, pp. 294-298)

Hugh Tait

The Changes in the Iconography and Composition of Veronese’s Allegory of the Battle of Lepanto in the Doge’s Palace (XIX, 1956, pp. 298-302)

Staale Sinding-Larsen

A Further Note on Niccolo dell’Abbate’s “Geroglifico” at Bologna in Honour of Julius III (XIX, 1956, pp. 302-303)

Sylvie Beguin

Vol. XX, No. 1/2, 1957

Europa (XX, 1957, pp. 1-3)

Martin Robertson

Elizabethan Chivalry: The Romance of the Accession Day Tilts (XX, 1957, pp. 4-25)

Frances A. Yates

Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting (XX, 1957, pp. 26-44)

John R. Spencer

The Theories of Mabillon and Montfaucon on French Sculpture of the Twelfth Century (XX, 1957, pp. 45-58)

Jacques Vanuxem

Johannes Schefferus and Swedish Antiquity (XX, 1957, pp. 59-74)

Allan Ellenius

Robert Wood and the Problem of Troy in the Eighteenth Century (XX, 1957, pp. 75-105)

  1. T. J. B. Spencer

Diderot and ‘The Justice of Trajan’ (XX, 1957, pp. 106-111)

Jean Seznec

Notes on Some Astronomical, Astrological and Mathematical Manuscripts of the Bibliotheque Nationale, Paris (XX, 1957, pp. 112-172)

Lynn Thorndike

A Classical Topos in the Introduction to Alberti’s Della Pittura (XX, 1957, p. 173)

  1. E. H. Gombrich

Vespasiano da Bisticci and Gray (XX, 1957, pp. 174-176)

  1. A. de la Mare

An Early Tudor Programme for Plays and Other Demonstrations against the Pope (XX, 1957, pp. 176-179)

Sydney Anglo

“Spotted to Be Known” (XX, 1957, pp. 179-180)

  1. D. Coulman

Constable and the ‘Massacres de Scio’ by Delacroix (XX, 1957, pp. 180-185)

Michel Florisoone

Note on a Forged Date (XX, 1957, p. 185)

  1. D. P. Walker

A Note on Bruegel’s ‘Combat between Carnival and Lent’ (XX, 1957, p. 186)

Charles de Tolnay

Vol. XX, No. 3/4, 1957

Florentine Political Assumptions in the Period of Savonarola and Soderini (XX, 1957, pp. 187-214)

Felix Gilbert

Jean Louis Guez de Balzac’s le Prince: A Revaluation (XX, 1957, pp. 215-247)

Pierre Watter

The Rose-Window (XX, 1957, pp. 248-297)

Helen J. Dow

Tiepolo’s Treatment of Classical Story at Villa Valmarana: A Study in Eighteenth-Century Iconography and Aesthetics (XX, 1957, pp. 298-317)

Michael Levey

The Sea of Time and Space (XX, 1957, pp. 318-337)

Kathleen Raine

John Constable, 1810-1816: A Chronological Study (XX, 1957, pp. 338-357)

Michael Kitson

Observations on the Iconography of the Wound in Christ’s Side, with Special Reference to Its Position (XX, 1957, pp. 358-362)

Vladimir Gurewich

Two Byzantine Scholars and Their Reception in Italy (XX, 1957, pp. 363-370)

  1. A. Keller

The Interpolated Text of the Vitruvian Epitome (XX, 1957, pp. 370-372)

  1. K. W. Gransden

A Song from Campion’s Lord’s Masque (XX, 1957, pp. 373-375)

Frederick W. Sternfeld

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  Vol. XXI, No. 1/2 (1958); Vol. XXI, No. 3/4 (1958); Vol. XXII, No. 1/2 (1959); Vol. XXII, No. 3/4 (1959); Vol. XXIII, No. 1/2 (1960); Vol. XXIII, No. 3/4 (1960); Vol. XXIV, No. 1/2(1961); Vol. XXIV, No. 3/4 (1961); Vol. XXV, No. 1/2 (1962); Vol. XXV, No. 3/4 (1962); Vol. XXVI, No. 1/2 (1963); Vol. XXVI, No. 3/4 (1963); Vol. XXVII (1964); Vol. XXVIII (1965);Vol. XXIX (1966); Vol. XXX (1967).  

Vol. XXI, No. 1/2, 1958

The Orpheus in the Synagogue of Dura-Europos (XXI, 1958, pp. 1-6)

  1. H. Stern

St. Julian of Toledo in the Middle Ages (XXI, 1958, pp. 7-26)

  1. J. N. Hillgarth

The Gosforth Cross (XXI, 1958, pp. 27-43)

Knut Berg

The Myth of Prometheus: Its Survival and Metamorphoses up to the Eighteenth Century (XXI, 1958, pp. 44-62)

Olga Raggio

Prophecy and History: Lichtenberger’s Forecasts of Events to Come (From the Fifteenth to the Twentieth Century); Their Reception and Diffusion (XXI, 1958, pp. 63-85)

  1. D. Kurze

The Popular Celebration of the Accession Day of Queen Elizabeth I (XXI, 1958, pp. 86-103)

Roy C. Strong

The Pope-Burning Processions of 1679, 1680 and 1681 (XXI, 1958, pp. 104-118)

Sheila Williams

The Astral Body in Renaissance Medicine (XXI, 1958, pp. 119-133)

  1. D. P. Walker

Una and the Clergy: The Ass Symbol in The Faerie Queene (XXI, 1958, pp. 134-137)

John M. Steadman

Vol. XXI, No. 3/4, 1958

The Dying God (XXI, 1958, pp. 141-151)

Henri Frankfort

Heresy in a Theocratic State (XXI, 1958, pp. 152-165)

Henri Frankfort

The Archetype in Analytical Psychology and the History of Religion (XXI, 1958, pp. 166-178)

Henri Frankfort; Gertrud Bing

Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico (XXI, 1958, pp. 179-207)

Nicolai Rubinstein

Riccobaldo of Ferrara, Boccaccio and Domenico di Bandino (XXI, 1958, pp. 208-226)

Teresa Hankey

The Owl’s Ivy and the Poet’s Bays. An Enquiry into Poetic Garlands (XXI, 1958, pp. 227-255)

  1. J. B. Trapp

The Palazzo Barberini: The Contributions of Maderno, Bernini and Pietro da Cortona (XXI, 1958, pp. 256-287)

Anthony Blunt

An Italian Niello Casket of the Fifteenth Century (XXI, 1958, pp. 288-295)

Mordechai Narkiss

The Croyland Quatrefoil and Polychronicon (XXI, 1958, pp. 295-296)

  1. W. F. Bolton

Giovanni Ambrogio Preda in Rome (XXI, 1958, p. 297)

Roberto Weiss

Vol. XXII, No. 1/2, 1959

An Early Chinese Swan-Maiden Story (XXII, 1959, pp. 1-5)

Arthur Waley

The History and Form of the Seven-Branched Candlestick of the Hasmonean Kings (XXII, 1959, pp. 6-16)

Heinrich Strauss

“Opus Quinque Dierum”: Durer’s ‘Christ among the Doctors’ and Its Sources (XXII, 1959, pp. 17-34)

Jan Bialostocki

Raphael’s ‘Incendio del Borgo’ (XXII, 1959, pp. 35-59)

Kurt Badt

Festivals for the Garter Embassy at the Court of Henri III (XXII, 1959, pp. 60-70)

Roy C. Strong

The Chateau of Montceaux-en-Brie (XXII, 1959, pp. 71-87)

Rosalys Coope

Heroic Virtue and the Divine Image in Paradise Lost (XXII, 1959, pp. 88-105)

John M. Steadman

Some Emblematic Sources of Goya (XXII, 1959, pp. 106-131)

George Levitine

Aspects of Mozart’s Heroines (XXII, 1959, pp. 132-156)

Michael Levey

Notes on Some Less Familiar British Astronomical and Astrological Manuscripts (XXII, 1959, pp. 157-171)

Lynn Thorndike

The Repentance of Judas in Piero della Francesca’s ‘Flagellation of Christ’ (XXII, 1959, p. 172)

  1. E. H. Gombrich

Vol. XXII, No. 3/4, 1959

Theories of Categories in Early Mediaeval Chinese Alchemy (XXII, 1959, pp. 173-210)

Ho Ping-Yu; Joseph Needham

A New Manuscript of the Latin Fuerre de Gadres and the Text of Roman d’Alexandre Branch II (XXII, 1959, pp. 211-253)

  1. D. J. A. Ross

The Reliefs on the Facade of the Duomo at Orvieto (XXII, 1959, pp. 254-302)

John White

George Herbert and Caritas (XXII, 1959, pp. 303-331)

Rosemond Tuve

Shipwrecks in English Romantic Painting (XXII, 1959, pp. 332-346)

  1. T. S. R. Boase

Haydon versus Shee (XXII, 1959, pp. 347-358)

Quentin Bell

Federigo Zuccaro’s Visit to England in 1575 (XXII, 1959, pp. 359-360)

Roy C. Strong

The Longthorpe Murals (XXII, 1959, pp. 361-362)

  1. R. M. Ogilvie

The Seven-Year-Old Theseus (XXII, 1959, p. 362)

  1. E. Tietze-Conrat

Salutati’s Epigrams for the Palazzo Vecchio at Florence (XXII, 1959, pp. 363-365)

Teresa Hankey

Boissard’s Costume-Book and Two Portraits (XXII, 1959, pp. 365-366)

Frances A. Yates

Seth or Anubis? (XXII, 1959, pp. 367-371)

  1. J. Gwyn Griffiths; A. A. Barb

The Orpheus in the Synagogue of Dura-Europos: A Correction (XXII, 1959, pp. 372-373)

Erwin R. Goodenough; H. Stern

Sources of Inigo Jones’s Masquing Designs (XXII, 1959, pp. 373-374)

  1. E. E. Veevers

Vol. XXIII, No. 1/2, 1960

Ramon Lull and John Scotus Erigena (XXIII, 1960, pp. 1-44)

Frances A. Yates

The Earlier Work of Giovanni Bellini (XXIII, 1960, pp. 45-59)

Giles Robertson

The Picture of Nobody: An Iconographical Study (XXIII, 1960, pp. 60-104)

Gerta Calmann

An Historical Study of the Portraits of Sir John Suckling (XXIII, 1960, pp. 105-126)

Thomas Clayton

Time and Eternity: Paradox and Structure in Paradise Lost (XXIII, 1960, pp. 127-138)

Rosalie L. Colie

The Hampton Court Trianon Designs of William and John Talman (XXIII, 1960, pp. 139-149)

John Harris

Cezanne and Poussin (XXIII, 1960, pp. 150-174)

Theodore Reff

Sense or Nonsense in Scientific Jargon (XXIII, 1960, pp. 175-176)

  1. O. Neugebauer

Jordaens’ ‘Night Vision’ (XXIII, 1960, pp. 177-178)

Erwin Bielefeld

Vol. XXIII, No. 3/4, 1960

An Illuminated English Psalter of the Early Thirteenth Century (XXIII, 1960, pp. 179-189)

Meyer Schapiro

Ekphrasis and Aesthetic Attitudes in Vasari’s Lives (XXIII, 1960, pp. 190-215)

Svetlana Leontief Alpers

“L’Eglise du Dome” (XXIII, 1960, pp. 216-224)

  1. A. J. Braham

Rigaud’s Portrait Group at Ottawa: A Key to the Artist’s Personal Life (XXIII, 1960, pp. 225-238)

George Van Derveer Gallenkamp

Pygmalion and the Philosophes: The Animated Statue in Eighteenth-Century France (XXIII, 1960, pp. 239-255)

  1. J. L. Carr

Francesco Guardi as Vedutista and Some of His Patrons (XXIII, 1960, pp. 256-276)

Francis Haskell

John Graham Lough: A Transitional Sculptor (XXIII, 1960, pp. 277-290)

  1. T. S. R. Boase

Botticelli and Nineteenth-Century England (XXIII, 1960, pp. 291-306)

Michael Levey

Note on the Glazier Psalter (XXIII, 1960, pp. 307-308)

Francis Wormald

A Note on the Symbolism of Some Sculptures of the Ducal Palace, Venice (XXIII, 1960, pp. 308-309)

  1. B. Rackham

Vasari’s Lives and Cicero’s Brutus (XXIII, 1960, pp. 309-311)

  1. E. H. Gombrich

Edward VI and the Pope (XXIII, 1960, pp. 311-313)

Roy C. Strong

Vol. XXIV, No. 1/2, 1961

The Rocks on the Parthenon Frieze (XXIV, 1961, pp. 1-44)

Philipp Fehl

Logical and Mathematical Symbolism in the Platonic Scholia (XXIV, 1961, pp. 45-58)

Robert S. Brumbaugh

The Taj Mahal in the Context of East and West: A Study in the Comparative Method (XXIV, 1961, pp. 59-88)

  1. R. A. Jairazbhoy

A Mediaeval Mystery Cult in Bosnia and Herzegovina (XXIV, 1961, pp. 89-107)

Marian Wenzel

Cain’s Jaw-Bone (XXIV, 1961, pp. 108-114)

George Henderson

Observations on Caravaggio’s ‘Repentant Magdalen’ (XXIV, 1961, pp. 114-115)

Ilaria Toesca

The Monk and the Soldier in Plate 58 of Goya’s Caprichos (XXIV, 1961, pp. 115-120)

Nigel Glendinning

A New View of Goya’s Tauromaquia (XXIV, 1961, pp. 120-127)

Nigel Glendinning

A Note on the So-Called ‘Fidei Simulacrum’ (XXIV, 1961, p. 128)

  1. R. Weiss

Vol. XXIV, No. 3/4, 1961

The Chigi Chapel in S. Maria del Popolo (XXIV, 1961, pp. 129-160)

John Shearman

The Chigi Chapel in S. Maria della Pace (XXIV, 1961, pp. 161-185)

Michael Hirst

The Humanist Portrait of Cosimo de’ Medici, Pater Patriae (XXIV, 1961, pp. 186-221)

Alison M. Brown

The Survival of the Kithara and the Evolution of the English Cittern: A Study in Morphology (XXIV, 1961, pp. 222-229)

Emanuel Winternitz

A Chronological Census of Renaissance Editions and Translations of Galen (XXIV, 1961, pp. 230-305)

Richard J. Durling

Renaissance and Golden Age (XXIV, 1961, pp. 306-309)

  1. E. H. Gombrich

The ‘Institution of the Eucharist’ by Charles Le Brun (XXIV, 1961, pp. 309-312)

Jennifer Montagu

The Greek Codices of Palla Strozzi and Guarino Veronese (XXIV, 1961, pp. 313-321)

Aubrey Diller

A Note on Raphael’s Sibyls in S. Maria della Pace (XXIV, 1961, pp. 322-323)

  1. L. D. Ettlinger

Poussin’s ‘Triumph of Neptune and Amphitrite’: A Re-Identification (XXIV, 1961, pp. 323-327)

Frank H. Sommer

Pirro Ligorio’s Illustrations to Aesop’s Fables (XXIV, 1961, pp. 327-331)

Erna Mandowsky

Vol. XXV, No. 1/2, 1962

Jeremiah and His Girdle (XXV, 1962, pp. 1-8)

Adelheid Heimann

The Promethean Commonplace (XXV, 1962, pp. 9-17)

  1. R. Johnson

An Anglo-Saxon Bible Fragment of the Late Eighth Century. Royal 1 E. VI (XXV, 1962, pp. 18-34)

Patrick McGurk

Pinturicchio and the Revival of Antiquity (XXV, 1962, pp. 35-55)

  1. J. Schulz

Sebastiano Serlio and Venetian Painting (XXV, 1962, pp. 56-64)

Cecil Gould

Political and Religious Cartoons of the Thirty Years’ War (XXV, 1962, pp. 65-86)

  1. W. A. Coupe

Dryden’s Dialogue on Drama (XXV, 1962, pp. 87-112)

Dean T. Mace

Beroaldus on Francia (XXV, 1962, pp. 113-115)

Michael Baxandall; E. H. Gombrich

Ennius and Basinio of Parma (XXV, 1962, pp. 116-118)

Jessie Poesch

A Late Twelfth-Century Artist’s Pattern-Sheet (XXV, 1962, pp. 119-128)

  1. D. J. A. Ross

A Saint Identified in a Lee Picture (XXV, 1962, pp. 129-130)

  1. F. Wormald

Jordaens’ ‘Night Vision’: A Rejoinder (XXV, 1962, pp. 131-134)

Julius S. Held

Sources of Two Paintings by Joseph Wright of Derby (XXV, 1962, pp. 135-136)

Robert Rosenblum

Aftermath to Opicinus de Canistris (XXV, 1962, pp. 137-146)

Richard G. Salomon

Nature and the Antique in B. R. Haydon’s ‘Assassination of Dentatus’ (XXV, 1962, pp. 147-157)

Frederick Cummings

Correction: The Six Days of Creation in a Twelfth Century Manuscript (XXV, 1962, p. 158)

Adelheid Heimann

Vol. XXV, No. 3/4, 1962

An Eleventh-Century Ivory Pectoral Cross (XXV, 1962, pp. 159-171)

Richard H. Randall, Jr.

Late-Antique Influences in Some English Mediaeval Illustrations of Genesis (XXV, 1962, pp. 172-198)

George Henderson

Numerical Composition in The Faerie Queene (XXV, 1962, pp. 199-239)

Alastair Fowler

Some Principles of Elizabethan Stage Costume (XXV, 1962, pp. 240-257)

Hal H. Smith

The Dance and the Masques of Ben Jonson (XXV, 1962, pp. 258-277)

John C. Meagher

The Abbe de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism (XXV, 1962, pp. 278-320)

  1. R. D. Middleton

Notes on Cyriac of Ancona and Some of His Friends (XXV, 1962, pp. 321-323)

  1. F. Babinger

A Note on Nicolas Froment’s ‘Burning-Bush Triptych’ (XXV, 1962, pp. 323-325)

Charles I. Minott

Maria in Sole and the Virgin of the Rosary (XXV, 1962, pp. 326-330)

  1. S. Ringbom

Some Eighteenth-Century Restorations of Myron’s ‘Discobolos’ (XXV, 1962, pp. 330-334)

Seymour Howard

The ‘Bonus Eventus’ Relief in the British Museum (XXV, 1962, pp. 335-337)

Otto Kurz

Vol. XXVI, No. 1/2, 1963

Olympias and the Serpent: The Interpretation of a Baalbek Mosaic and the Date of the Illustrated Pseudo-Callisthenes (XXVI, 1963, pp. 1-21)

  1. D. J. A. Ross

A Life of St. Edward the Confessor in Early Fourteenth-Century Stained Glass at Fecamp, in Normandy (XXVI, 1963, pp. 22-37)

Madeline Harrison

Erasmus, Humanism, and the Christian Cabala (XXVI, 1963, pp. 38-52)

Werner L. Gundersheimer

The London Pageants for the Reception of Katharine of Aragon: November 1501 (XXVI, 1963, pp. 53-89)

Sydney Anglo

The Abbe de Cordemoy and the Graeco-Gothic Ideal (XXVI, 1963, pp. 90-123)

  1. R. D. Middleton

‘Backgrounds, Introduction of Architecture and Landscape’: A Lecture by J. M. W. Turner (XXVI, 1963, pp. 124-147)

Jerrold Ziff

Macklin and Bowyer (XXVI, 1963, pp. 148-177)

  1. T. S. R. Boase

Constantiniana (XXVI, 1963, pp. 178-192)

  1. C. Ligota

Julian of Toledo in the Liber Floridus (XXVI, 1963, pp. 192-196)

  1. J. N. Hillgarth

An Interpretation of Mantegna’s ‘Parnassus’ (XXVI, 1963, pp. 196-198)

  1. E. H. Gombrich

Sidney’s Experiment in Pastoral: The Lady of May (XXVI, 1963, pp. 198-203)

  1. S. K. Orgel

Vol. XXVI, No. 3/4, 1963

Some Pre-Dynastic Egyptian Figurines: Problems of Authenticity (XXVI, 1963, pp. 205-222)

Peter J. Ucko; H. W. M. Hodges

The Indian Iconography of the Decans and Horas (XXVI, 1963, pp. 223-254)

David Pingree

An Illustration in an Anglo-Saxon Psalter in Paris (XXVI, 1963, pp. 255-263)

Robert M. Harris

Notes on the Virtues and Vices (XXVI, 1963, pp. 264-303)

Rosemond Tuve

A Dialogue on Art from the Court of Leonello d’Este: Angelo Decembrio’s De Politia Litteraria Pars LXVIII (XXVI, 1963, pp. 304-326)

Michael Baxandall

Logos in The Temple: George Herbert and the Shape of Content (XXVI, 1963, pp. 327-342)

  1. R. L. Colie

Three Astrological Predictions (XXVI, 1963, pp. 343-347)

Lynn Thorndike

Reynard the Fox and the Smithfield Decretals (XXVI, 1963, pp. 347-354)

Kenneth Varty

The Fabric of Herbert’s Temple (XXVI, 1963, pp. 354-358)

George Watson

Rubens and the Wound in Christ’s Side. A Postscript (XXVI, 1963, p. 358)

Vladimir Gurewich

Poussin’s ‘Neptune and Amphitrite’ at Philadelphia: A Re-Identification Rejected (XXVI, 1963, pp. 359-360)

Michael Levey

An Eighteenth-Century Carved Piece with Medical Associations (XXVI, 1963, pp. 361-363)

Robert Renehan

Goya and Arriaza’s Profecia del Pirineo (XXVI, 1963, pp. 363-366)

Nigel Glendinning

  1. B. R. Haydon and His School (XXVI, 1963, pp. 367-380)

Frederick Cummings

Vol. XXVII, 1964

In Memoriam Gertrud Bing 1892-1964 (XXVII, 1964, unpaginated, 2 pp.)

Three Elusive Amulets (XXVII, 1964, pp. 1-22)

  1. A. A. Barb

The Evesham Psalter (XXVII, 1964, pp. 23-41)

  1. D. H. Turner

Notes on the Virtues and Vices (XXVII, 1964, pp. 42-72)

Rosemond Tuve

The Bible and Eternity: John Wyclif’s Dilemma (XXVII, 1964, pp. 73-89)

Beryl Smalley

Bartholomaeus Facius on Painting: A Fifteenth-Century Manuscript of the De Viris Illustribus (XXVII, 1964, pp. 90-107)

Michael Baxandall

The Language of Humanism and the Language of Sculpture: Bertoldo as Illustrator of the Apologi of Bartolomeo Scala (XXVII, 1964, pp. 108-136)

Alison M. Brown; Alessandro Parronchi

The Origin of an Archaeological Plan of Rome by Alessandro Strozzi (XXVII, 1964, pp. 137-163)

Gustina Scaglia

Nicolas Audebert and the Villa D’Este (XXVII, 1964, pp. 164-190)

  1. R. W. Lightbown

Pirro Ligorio on the Nobility of the Arts (XXVII, 1964, pp. 191-210)

David R. Coffin

The Theology of Marlowe’s The Jew of Malta (XXVII, 1964, pp. 211-240)

  1. G. K. Hunter

Eternity and the Afterlife (XXVII, 1964, pp. 241-250)

  1. D. P. Walker

Musical Humanism, the Doctrine of Rhythmus, and the Saint Cecilia Odes of Dryden (XXVII, 1964, pp. 251-292)

  1. D. T. Mace

Moment and Movement in Art (XXVII, 1964, pp. 293-306)

  1. E. H. Gombrich

The Stevensweert Kantharos: Its Metrology and Eastern Connexions (XXVII, 1964, pp. 307-311)

  1. A. D. H. Bivar

Some Unpublished Astrological Illustrations from Central and Eastern Europe (XXVII, 1964, pp. 311-312)

  1. K. Fischer

The Iconography of the Deposition without St. John (XXVII, 1964, pp. 312-317)

Paulina Ratkowska

Two Pieces of Fifteenth-Century Political Iconography (XXVII, 1964, pp. 317-320)

  1. P. S. Lewis

A Hitherto Unpublished Letter on Benozzo Gozzoli’s Frescoes in the Palazzo Medici-Riccardi (XXVII, 1964, pp. 321-322)

Andreas Grote

Philip II’s Impresa and Spenser’s Souldan (XXVII, 1964, pp. 322-324)

Rene Graziani

The Xenophon Translation Attributed to Queen Elizabeth I (XXVII, 1964, pp. 324-326)

  1. L. Bradner

Robert Fludd’s Theory of Geomancy and His Experiences at Avignon in the Winter of 1601 to 1602 (XXVII, 1964, pp. 327-335)

  1. C. H. Josten

Francisco Pacheco’s Apotheosis of Hercules (XXVII, 1964, pp. 335-337)

  1. G. Kunoth

A Caritas Romana by Murillo (XXVII, 1964, pp. 337-339)

Enriqueta Harris

John Langhorne and Turner’s ‘Fallacies of Hope’ (XXVII, 1964, pp. 340-342)

Jerrold Ziff

Photogenic Drawings (XXVII, 1964, pp. 342-343)

  1. R. B. Beckett

Vol. XXVIII, 1965

Logical and Mathematical Symbolism in the Plato Scholia, II. A Thousand Years of Diffusion and Redesign (XXVIII, 1965, pp. 1-13)

Robert S. Brumbaugh

A Twelfth-Century Defence of the Fourth Figure of the Syllogism (XXVIII, 1965, pp. 14-28)

  1. A. I. Sabra

Byzantinism and Romantic Hellenism (XXVIII, 1965, pp. 29-43)

Cyril Mango

Gregory the Great, the Destroyer of Pagan Idols. The History of a Medieval Legend concerning the Decline of Ancient Art and Literature (XXVIII, 1965, pp. 44-65)

Tilmann Buddensieg

A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Millan (XXVIII, 1965, pp. 66-85)

John W. Williams

A Twelfth-Century Manuscript from Winchcombe and Its Illustrations. Dublin, Trinity College, MS. 53 (XXVIII, 1965, pp. 86-109)

Adelheid Heimann

The Iconography of the Four Panels by the Master of Saint Giles (XXVIII, 1965, pp. 110-144)

William M. Hinkle

Henry VI of England and the Dual Monarchy: Aspects of Royal Political Propaganda, 1422-1432 (XXVIII, 1965, pp. 145-162)

  1. J. W. McKenna

The Medals of Pope Julius II (1503-1513) (XXVIII, 1965, pp. 163-182)

Roberto Weiss

Guarino, Pisanello and Manuel Chrysoloras (XXVIII, 1965, pp. 183-204)

Michael Baxandall

Eros and Anteros or Reciprocal Love in Ancient and Renaissance Art (XXVIII, 1965, pp. 205-208)

Guy de Tervarent

Bibles Francaises Apres le Concile de Trente (1546) (XXVIII, 1965, pp. 209-222)

Eugenie Droz

An Unknown Chapter in the Life of John Dee (XXVIII, 1965, pp. 223-257)

  1. C. H. Josten

A Rembrandt Problem: Haman or Uriah? (XXVIII, 1965, pp. 258-273)

Madlyn Kahr

The Medal against Time: A Study of Pope’s Epistle To Mr Addison (XXVIII, 1965, pp. 274-298)

Howard Erskine-Hill

  1. A. M. Warburg (XXVIII, 1965, pp. 299-313)
  2. G. Bing

Empedocles’s Fiery Fish (XXVIII, 1965, pp. 314-315)

  1. J. Longrigg

The Hero with Two Swords: A Postscript (XXVIII, 1965, pp. 316-317)

Martin Robertson

A Serbo-Byzantine Betrothal Ring (XXVIII, 1965, pp. 317-319)

  1. F. M. Heichelheim; H. A. Hickl-Szabo

The Breviary of Saint Louis: The Development of a Legendary Miracle (XXVIII, 1965, pp. 319-323)

  1. L. S. Crist

The Salamander in Van der Goes’ Garden of Eden (XXVIII, 1965, pp. 323-326)

Robert A. Koch

The Solitary Bird in Van der Goes’ Garden of Eden (XXVIII, 1965, pp. 326-329)

Herbert Leon Kessler

Some Seventeenth-Century Miniatures from the University of Cracow (XXVIII, 1965, pp. 329-331)

Ewa Chojecka

De Lineamentis: L. B. Alberti’s Use of a Technical Term (XXVIII, 1965, pp. 331-335)

  1. S. Lang

Excerpts from the Codex Huygens Published in London in 1720 (XXVIII, 1965, pp. 336-338)

Carlo Pedretti

Poussin’s Marine Venus at Philadelphia: A Re-Identification Accepted (XXVIII, 1965, pp. 338-343)

Charles Dempsey

The Woman of Sestos: A Plinian Theme in the Renaissance (XXVIII, 1965, pp. 343-348)

Susan Woodford

Vol. XXIX, 1966

Antaura. The Mermaid and the Devil’s Grandmother: A Lecture (XXIX, 1966, pp. 1-23)

  1. A. A. Barb

The Debate on Primitivism in Ancient Rhetoric (XXIX, 1966, pp. 24-38)

  1. E. H. Gombrich

Three Illustrations from the Bury St. Edmunds Psalter and Their Prototypes. Notes on the Iconography of Some Anglo-Saxon Drawings (XXIX, 1966, pp. 39-59)

Adelheid Heimann

The Bury Bible (Cambridge, Corpus Christi College, MS. 2) (XXIX, 1966, pp. 60-81)

  1. C. M. Kauffmann

A Logos Creator at Chartres and Its Copy (XXIX, 1966, pp. 82-100)

Jan van der Meulen

The Salvation of the Heathen: The Exploration of a Theme in Piers Plowman (XXIX, 1966, pp. 101-116)

  1. G. H. Russell

The Mulier Amicta Sole and Her Attendants. An Episode in Late Medieval Finnish Art (XXIX, 1966, pp. 117-134)

Anthony Cutler

Cardinal Giordano Orsini (d. 1438) as a Prince of the Church and a Patron of the Arts. A Contemporary Panegyric and Two Descriptions of the Lost Frescoes in Monte Giordano (XXIX, 1966, pp. 135-159)

  1. W. A. Simpson

Correggio’s Amori di Giove (XXIX, 1966, pp. 160-192)

Egon Verheyen

Titian’s Old Testament Cycle (XXIX, 1966, pp. 193-205)

Madlyn Kahr

Graces, Muses, and Arts: The Urns of Henry II and Francis I (XXIX, 1966, pp. 206-218)

Victoria L. Goldberg

The Classical Perception of Nature in Poussin’s Earlier Works (XXIX, 1966, pp. 219-249)

Charles Dempsey

Puget’s Gallic Hercules (XXIX, 1966, pp. 250-263)

Theodore Reff

Moral Intention in the Fables of La Fontaine (XXIX, 1966, pp. 264-281)

Margaret M. McGowan

Dryden and Vossius: A Reconsideration (XXIX, 1966, pp. 282-295)

  1. H. Neville Davies

A Reply to Mr. H. Neville Davies’s ‘Dryden and Vossius: A Reconsideration’ (XXIX, 1966, pp. 296-310)

  1. D. T. Mace

Plagiaries-by-Memory of the Rake’s Progress and the Genesis of Hogarth’s Second Picture Story (XXIX, 1966, pp. 311-348)

David Kunzle

Biblical Illustration in Nineteenth-Century English Art (XXIX, 1966, pp. 349-367)

  1. T. S. R. Boase

On the Origin of the Word ‘Expressionism’ (XXIX, 1966, pp. 368-385)

Donald E. Gordon

Art in ‘The Epoch of the Great Spiritual’: Occult Elements in the Early Theory of Abstract Painting (XXIX, 1966, pp. 386-418)

Sixten Ringbom

The Illustration of Codex Ebnerianus (XXIX, 1966, pp. 419-424)

Cecelia Meredith

Giovanni Contarini, a Venetian at Oxford: 1392-1399 (XXIX, 1966, pp. 424-432)

Anthony Luttrell

Notes on the Astrological Predictions for A. D. 1430/1431 in MS. Harley 3731 (XXIX, 1966, pp. 432-433)

  1. O. Neugebauer

An Emblematic Portrait by Dosso (XXIX, 1966, pp. 433-436)

Felton Gibbons

Poussin and Aesop (XXIX, 1966, pp. 436-437)

  1. A. F. Blunt

The Textual Sources of Poussin’s Marine Venus in Philadelphia (XXIX, 1966, pp. 438-442)

Charles Dempsey

Vol. XXX, 1967

Otto Fein 1906-1966 (XXX, 1967, unpaginated, 1 p.)

Women in Charge: The Function of Alternatives in Early Greek Tradition and the Ancient Idea of Matriarchy (XXX, 1967, pp. 1-35)

Simon Pembroke

Seventy-Eight Vitruvius Manuscripts (XXX, 1967, pp. 36-70)

Carol Herselle Krinsky

Studies in English Manuscript Illumination, Part I: Stylistic Sequence and Stylistic Overlap in Thirteenth-Century English Manuscripts (XXX, 1967, pp. 71-104)

George Henderson

Studies in English Manuscript Illumination, Part II: The English Apocalypse: I (XXX, 1967, pp. 104-137)

George Henderson

Simone Martini’s The Holy Family (XXX, 1967, pp. 138-149)

Don Denny

Four Tapestries after Hieronymus Bosch (XXX, 1967, pp. 150-162)

Otto Kurz

Pontormo’s Cosimo il Vecchio, a New Dating (XXX, 1967, pp. 163-175)

John Sparrow

Henry IV, the Gallic Hercules (XXX, 1967, pp. 176-197)

Corrado Vivanti

The Musical Theory and Philosophy of Robert Fludd (XXX, 1967, pp. 198-227)

Peter J. Ammann

Kepler’s Celestial Music (XXX, 1967, pp. 228-250)

  1. D. P. Walker

A Volume of Mughal Drawings and Miniatures (XXX, 1967, pp. 251-271)

Otto Kurz

Manner and Meaning in Some Rubens Mythologies (XXX, 1967, pp. 272-295)

Svetlana L. Alpers

Bishop Godwin’s ‘Lunatique Language’ (XXX, 1967, pp. 296-316)

  1. H. Neville Davies

Hogarth, Fielding, and the Dating of the March to Finchley (XXX, 1967, pp. 317-326)

  1. W. B. Coley

Ossian in Painting (XXX, 1967, pp. 327-356)

Henry Okun

Turner: An Early Experiment with Colour Theory (XXX, 1967, pp. 357-366)

Gerald E. Finley

The Sources of True Taste. Benjamin West’s Instructions to a Young Painter for His Studies in Italy (XXX, 1967, pp. 367-382)

Franziska Forster-Hahn

Alexander Historiatus a Supplement (XXX, 1967, pp. 383-388)

  1. D. J. A. Ross

John VII’s Adoration of the Cross in S. Maria Antiqua (XXX, 1967, pp. 388-390)

Per Jonas Nordhagen

The Archer, the Eagle and the Lamb (XXX, 1967, pp. 391-394)

Barbara C. Raw

Boethius and an Illustration to the Bible Historiale (XXX, 1967, pp. 394-398)

  1. M. W. Evans

An Unpublished Detail of the Iconography of the Passion in Le Chastel Perilleux (XXX, 1967, pp. 398-401)

Marie Brisson

A ‘Biface’ Medal of Henry II? (XXX, 1967, pp. 401-403)

  1. W. McAllister Johnson

The Earliest Description of Bosch’s Garden of Delight (XXX, 1967, pp. 403-406)

  1. E. H. Gombrich

On Some Celestial Maps and Globes of the Sixteenth Century (XXX, 1967, pp. 406-409)

Jacob Hess

A Note on the Arithmological Stanza: The Faerie Queene, II. ix. 22 (XXX, 1967, pp. 410-414)

  1. R. M. Cummings

Velazquez and Charles I. Antique Busts and Modern Paintings from Spain for the Royal Collection (XXX, 1967, pp. 414-420)

Enriqueta Harris

Euanthes Redivivus: Rubens’s Prometheus Bound (XXX, 1967, pp. 420-425)

Charles Dempsey

The Endymion Myth and Poussin’s Detroit Painting (XXX, 1967, pp. 426-431)

Judith Colton

Salvator Rosa’s Justice Appearing to the Peasants (XXX, 1967, pp. 431-434)

Richard W. Wallace

An Anatomical Drawing by Alexander Cozens (XXX, 1967, pp. 434-438)

Arthur S. Marks

Pouilly’s Plagiarism (XXX, 1967, pp. 438-444)

George H. Nadel

Pope’s Neighbours: An Early Landscape Garden at Richmond (XXX, 1967, pp. 444-446)

  1. A. J. Sambrook

Back to top .

Vol. XXXI (1968); Vol. XXXII (1969); Vol. XXXIII (1970); Vol. XXXIV (1971); Vol. XXXV (1972); Vol. XXXVI (1973); Vol. XXXVII (1974); Vol. XXXVIII (1975); Vol. XXXIX (1976); Vol. XL (1977).

Vol. XXXI, 1968

Symbolism in the Plato Scholia (XXXI, 1968, pp. 1-11)

Robert S. Brumbaugh

Thabit Ibn Qurra on Euclid’s Parallels Postulate (XXXI, 1968, pp. 12-32)

  1. A. I. Sabra

Some Early Medieval Figure Sculpture from North-East Turkey (XXXI, 1968, pp. 33-72)

David Winfield

The Capital Frieze and Pilasters of the Portail Royal, Chartres (XXXI, 1968, pp. 73-102)

Adelheid Heimann

Studies in English Manuscript Illumination, Part III: The English Apocalypse; II (XXXI, 1968, pp. 103-147)

George Henderson

Virtues and Vices in the Chapter House Vestibule in Salisbury (XXXI, 1968, pp. 148-158)

Rosalie B. Green

Piers Plowman and Local Iconography (XXXI, 1968, pp. 159-169)

  1. R. E. Kaske

A Mid-Fifteenth-Century English Illuminating Shop and Its Customers (XXXI, 1968, pp. 170-196)

Kathleen L. Scott

The Signatures and Original Foliation of Leonardo da Vinci’s Libro F (XXXI, 1968, pp. 197-217)

Carlo Pedretti

Leonardo’s Architectural Designs and the Sforza Mausoleum (XXXI, 1968, pp. 218-233)

  1. S. Lang

The Term Emblema in Alciati (XXXI, 1968, pp. 234-250)

Hessel Miedema

Mercurius Ver: The Sources of Botticelli’s Primavera (XXXI, 1968, pp. 251-273)

Charles Dempsey

Le Theme de la Madeleine penitente au XVIIeme siecle en France (XXXI, 1968, pp. 274-306)

Francoise Bardon

The Painted Enigma and French Seventeenth-Century Art (XXXI, 1968, pp. 307-335)

Jennifer Montagu

William Hogarth and Antoine Parent (XXXI, 1968, pp. 336-382)

  1. J. Dobai

Delacroix’s Imagery in the Palais Bourbon Library (XXXI, 1968, pp. 383-403)

  1. G. L. Hersey

The Architectural Setting of Jane Austen’s Novels (XXXI, 1968, pp. 404-422)

Nikolaus Pevsner

The Yale (XXXI, 1968, pp. 423-428)

Wilma George

An Allegorical Portrait of Emperor Sigismund by Mariano Taccola of Siena (XXXI, 1968, pp. 428-434)

Gustina Scaglia

On the Iconography of the Nymph of the Fountain by Lucas Cranach the Elder (XXXI, 1968, pp. 434-437)

Michael Liebmann

Marvell’s Stork: The Natural History of an Emblem (XXXI, 1968, pp. 437-438)

Kitty Datta

New Light on Bernini’s Neptune and Triton (XXXI, 1968, pp. 438-440)

William Collier

Quaestiones disputatae: Poussin’s Venus at Philadelphia (XXXI, 1968, pp. 440-444)

Frank H. Sommer

Harrison, Jonson and Dekker: The Magnificent Entertainment for King James (1604) (XXXI, 1968, pp. 445-448)

David M. Bergeron

Two Eighteenth-Century Frontispieces (XXXI, 1968, pp. 448-449)

  1. H. A. Hammelmann

Vol. XXXII, 1969

Simplicius’s Proof of Euclid’s Parallels Postulate (XXXII, 1969, pp. 1-24)

  1. A. I. Sabra

Observations on the Historiated Lintel of the Holy Sepulchre, Jerusalem (XXXII, 1969, pp. 25-40)

Alan Borg

A Tanner Manuscript in the Bodleian Library and Some Notes on English Painting of the Late Twelfth Century (XXXII, 1969, pp. 41-54)

  1. L. M. Ayres

The Tympanum of the Portal of Saint-Anne at Notre Dame de Paris and the Iconography of the Division of the Powers in the Early Middle Ages (XXXII, 1969, pp. 55-72)

Walter Cahn

Arnold Geilhoven: An Early Disciple of Petrarch in the Low Countries (XXXII, 1969, pp. 73-108)

Nicholas Mann

Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine (XXXII, 1969, pp. 109-134)

Samuel Y. Edgerton, Jr.

The Crucifixion of St. Peter: A Fifteenth-Century Topographical Problem (XXXII, 1969, pp. 135-161)

  1. J. M. Huskinson

Bosch’s “Garden of Earthly Delights”: A Progress Report (XXXII, 1969, pp. 162-170)

  1. E. H. Gombrich

Giovanni Pico’s Book of Job (XXXII, 1969, pp. 171-199)

Chaim Wirszubski

Erasmus and the Visual Arts (XXXII, 1969, pp. 200-227)

Erwin Panofsky

Oriental Art and the Orient in Late Renaissance and Baroque Italy (XXXII, 1969, pp. 228-279)

  1. R. W. Lightbown

The Angelic Consolation of St. Francis of Assisi in Post-Tridentine Italian Painting (XXXII, 1969, pp. 280-306)

Pamela Askew

John Toland and the Newtonian Ideology (XXXII, 1969, pp. 307-331)

Margaret Candee Jacob

The Early Career of Alexander Runciman and His Relations with Sir James Clerk of Penicuik (XXXII, 1969, pp. 332-343)

Susan Booth

Constable’s Sky Sketches (XXXII, 1969, pp. 344-365)

Louis Hawes

Antolini’s Foro Bonaparte in Milan (XXXII, 1969, pp. 366-385)

Carroll William Westfall

Papal Patronage in the Early Twelfth Century: Notes on the Iconography of Cosmatesque Pavements (XXXII, 1969, pp. 386-390)

Dorothy Glass

Filippino Lippi’s Wounded Centaur, p. 390

Hugh Lloyd-Jones

The Taddei Tondo: A Frightened Jesus? (XXXII, 1969, pp. 391-393)

Malcolm Easton

Mantegna and Francisque Pellegrin, p. 394

  1. W. McAllister Johnson

A Note on Marcantonio’s Death of Dido (XXXII, 1969, pp. 394-396)

David H. Thomas

The Source of Titian’s Bacchus and Ariadne (XXXII, 1969, pp. 396-397)

Angus Easson

From the Alessandro Morente to the Alexandre Richelieu. The Portraiture of Alexander the Great in Seventeenth-Century Italy and France (XXXII, 1969, pp. 398-405)

Erkinger Schwarzenberg

A Neglected Classical Phase of Turner’s Art: His Vignettes to Rogers’s Italy (XXXII, 1969, pp. 405-410)

Adele M. Holcomb

The Lost Opportunity of the Royal Academy: An Assessment of Its Position in the Nineteenth Century (XXXII, 1969, pp. 410-420)

  1. H. C. Morgan

A Corrected Plan of Delacroix’s Ceiling in the Library of the Palais Bourbon (XXXII, 1969, pp. 420-421)

Lee Johnson

Vol. XXXIII, 1970

Representations of the Temple of Jerusalem before 1500 (XXXIII, 1970, pp. 1-19)

Carol Herselle Krinsky

Notes on Some Didactic Illustrations in the Margins of a Twelfth-Century Psalter (XXXIII, 1970, pp. 20-40)

Karl-August Wirth

The Beasts from Job in the Liber Floridus Manuscripts (XXXIII, 1970, pp. 41-51)

Jessie Poesch

The Two Caves of Love in the Tristan by Thomas (XXXIII, 1970, pp. 52-69)

  1. L. Polak

The Reconstruction of Nicola Pisano’s Perugia Fountain (XXXIII, 1970, pp. 70-83)

John White

The Mosaics of Pietro Cavallini in Santa Maria in Trastevere (XXXIII, 1970, pp. 84-106)

Paul Hetherington

The Compagnia de’ Magi (XXXIII, 1970, pp. 107-161)

Rab Hatfield

Cosimo de’ Medici’s Patronage of Architecture and the Theory of Magnificence (XXXIII, 1970, pp. 162-170)

  1. A. D. Fraser Jenkins

Hieronymus Bosch in Some Literary Contexts (XXXIII, 1970, pp. 171-199)

Helmut Heidenreich

Henry the Younger of Brunswick-Wolfenbuttel. Wild Man and Werwolf in Religious Polemics 1538-1544 (XXXIII, 1970, pp. 200-234)

  1. F. J. Stopp

The Meaning of Veronese’s Paintings in the Church of San Sebastiano in Venice (XXXIII, 1970, pp. 235-247)

Madlyn Kahr

The Iconography of Silence and Chapman’s Hercules (XXXIII, 1970, pp. 248-263)

Raymond B. Waddington

Francis Bacon, Natalis Comes and the Mythological Tradition (XXXIII, 1970, pp. 264-291)

Barbara Carman Garner

Rembrandt’s ‘Polish Rider’ and the Prodigal Son (XXXIII, 1970, pp. 292-303)

Colin Campbell

Blind Cupid (XXXIII, 1970, pp. 304-305)

  1. C. D. Gilbert

An ‘Ascent of Alexander’ (XXXIII, 1970, pp. 305-307)

Chiara Settis Frugoni

William of Sens and the Double Columns at Sens and Canterbury (XXXIII, 1970, pp. 307-313)

Kenneth W. Severens

An Iconographic Note on Raphael’s Galatea (XXXIII, 1970, pp. 313-315)

Duncan T. Kinkead

Tintoretto and the Roman de la Rose (XXXIII, 1970, pp. 315-317)

Carla Lord

An Iconographical Puzzle: Spenser’s Cupid at Faerie Queene, VII, viii (XXXIII, 1970, pp. 317-321)

  1. R. M. Cummings

Sidney’s Personal Imprese (XXXIII, 1970, pp. 321-324)

Katherine Duncan-Jones

Daniel’s Delia and the Imprese of Bishop Paolo Giovio: Some Iconological Influences (XXXIII, 1970, pp. 325-328)

Joseph Kau

Salvator Rosa’s Engraving for Carlo de’ Rossi and His Satire, Invidia (XXXIII, 1970, pp. 328-330)

Nancy Rash Fabbri

William III and Sir Godfrey Kneller (XXXIII, 1970, pp. 330-336)

  1. J. D. Stewart

Rhodes: Sir William to Sir Walter. Notes to Save Sir Walter Scott the Trouble of Looking out Information about Rhodes. W. Gell, 1832 (XXXIII, 1970, pp. 336-343)

Edith Clay

The Subject of Millais’s Christ in the House of His Parents (XXXIII, 1970, pp. 343-345)

Edward Morris

An Unpublished Petition Exemplifying the Oneness of the Community of Nineteenth-Century French Artists (XXXIII, 1970, pp. 345-353)

Albert Boime

Vol. XXXIV, 1971

Observations on a Number of Liuthar Manuscripts (XXXIV, 1971, pp. 1-11)

Katherine B. Powell

The Sculpture Programme of the Porte des Comtes Master at Saint-Sernin in Toulouse (XXXIV, 1971, pp. 12-39)

Thomas W. Lyman

The Iconography of a Romanesque Chalice from Trzemeszno (XXXIV, 1971, pp. 40-64)

Piotr Skubiszewski

The Tomb of Saint Louis (XXXIV, 1971, pp. 65-82)

Georgia Sommers Wright

Illustrations Direct and Oblique in the Margins of an Alexander Romance at Oxford (XXXIV, 1971, pp. 83-95)

  1. S. K. Davenport

Alberti and FILARETH. A Study in Their Sources (XXXIV, 1971, pp. 96-114)

John Onians

‘Il Concetto dell’Anima’ in Leonardo’s Early Skull Studies (XXXIV, 1971, pp. 115-134)

Martin Kemp

Citarea ‘su una impresa di bronconi’ (XXXIV, 1971, pp. 135-177)

Salvatore Settis

Works of Art from Rome for Henry VIII. A Study of Anglo-Papal Relations as Reflected in Papal Gifts to the English King (XXXIV, 1971, pp. 178-203)

Margaret Mitchell

Plus Ultra, Non plus Ultra, and the Columnar Device of Emperor Charles V (XXXIV, 1971, pp. 204-228)

Earl Rosenthal

Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum et Picturarum, Book II, Chapter 42 (XXXIV, 1971, pp. 229-245)

David Freedberg

Erasmus in France in the Later Sixteenth Century (XXXIV, 1971, pp. 246-261)

Margaret Mann Phillips

Bound Theory and Blind Practice: Pietro Testa’s Notes on Painting and the Liceo della Pittura (XXXIV, 1971, pp. 262-296)

Elizabeth Cropper

The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation (XXXIV, 1971, pp. 297-317)

Catherine Gordon

Stitchery in Classical and Renaissance Art (XXXIV, 1971, pp. 318-320)

Elizabeth Birbari

The Wound in Christ’s Side (XXXIV, 1971, pp. 320-321)

  1. A. A. Barb

Moses Shown the Promised Land (XXXIV, 1971, pp. 321-324)

Adelheid Heimann

The Heraldry of Hector and Its Antiquity (XXXIV, 1971, pp. 325-326)

  1. R. A. Dwyer

Botticelli’s Three Graces (XXXIV, 1971, pp. 326-330)

Charles Dempsey

Boccaccio’s Ninfale Fiesolano in Early Florentine Cassone Painting (XXXIV, 1971, pp. 331-333)

Paul F. Watson

The Poison-Woodcut by the ‘Petrarch-Master’ (XXXIV, 1971, pp. 333-335)

  1. A. A. Barb

Erasmus and the Iconography of Pieter Aertsen’s Christ in the House of Martha and Mary in the Boymans-van Beuningen Museum (XXXIV, 1971, pp. 335-336)

  1. P. K. F. Moxey

The Celestial Cartography of Giovanni Antonio Vanosino da Varese (XXXIV, 1971, pp. 336-337)

Deborah Jean Warner

Appearances of the Red Cross Knight in Book Two of Spenser’s Faerie Queene (XXXIV, 1971, pp. 338-350)

Robin Kirkpatrick

Spenser’s Fourth Grace (XXXIV, 1971, pp. 350-355)

Gerald Snare

The Natural Course of Light Inverted: An Impresa in Chapman’s Bussy D’Ambois (XXXIV, 1971, pp. 356-360)

Albert R. Braunmuller

An Early Painting by Frans Pourbus the Younger: Dit Was Ghemaeckt int Jaer 1508 van My Fransken Povrbvs als ick ovt Was 10 Jaer (XXXIV, 1971, pp. 360-362)

Egon Verheyen

Rubens and Optics: Some Fresh Evidence (XXXIV, 1971, pp. 362-366)

Michael Jaffe

Exhortatio ad Virtutem: A Series of Paintings in the Barberini Palace (XXXIV, 1971, pp. 366-372)

Jennifer Montagu

Blake’s Newton (XXXIV, 1971, pp. 372-377)

John Gage

Constable and Wordsworth: The Ecological Moment of Romantic Art (XXXIV, 1971, pp. 377-386)

Karl Kroeber

Turner and Scott (XXXIV, 1971, pp. 386-397)

Adele M. Holcomb

John Gibson’s Satan (XXXIV, 1971, pp. 397-399)

Edward Morris

Correction: The Beasts from Job in the Liber Floridus Manuscripts, p. 399

Jessie Poesch

Vol. XXXV, 1972

The Lintel Fragment Representing Eve from Saint-Lazare, Autun (XXXV, 1972, pp. 1-30)

  1. O. K. Werckmeister

A Note on Jacobus (XXXV, 1972, pp. 31-80)

Christopher Hohler

Artists, Suppliers and Clerks: The Human Factors in the Art Patronage of King Henry III (XXXV, 1972, pp. 81-107)

  1. R. Kent Lancaster

Antichrist and the Iconography of Dante’s Geryon (XXXV, 1972, pp. 108-122)

John Block Friedman

Christian Hebraism and the Ramsey Abbey Psalter (XXXV, 1972, pp. 123-134)

Lucy Freeman Sandler

Some Similarities between Queen Mary’s Psalter and the Northern Passion (XXXV, 1972, pp. 135-144)

  1. O. S. Pickering

The Pictorial Programme of the Sala della Pace: A New Interpretation (XXXV, 1972, pp. 145-162)

Uta Feldges-Henning

Books and Their Owners in Venice 1345-1480 (XXXV, 1972, pp. 163-186)

Susan Connell

The Fire Next Time (XXXV, 1972, pp. 187-199)

Bo Lindberg

Dissection and Divinity in Leonardo’s Late Anatomies (XXXV, 1972, pp. 200-225)

Martin Kemp

Veronese and Daniele Barbaro: The Decoration of Villa Maser (XXXV, 1972, pp. 226-246)

Richard Cocke

The ‘Rainbow Portrait’ of Queen Elizabeth I and Its Religious Symbolism (XXXV, 1972, pp. 247-259)

Rene Graziani

Claude and Architecture (XXXV, 1972, pp. 260-283)

  1. I. G. Kennedy

The Iconography of the Marble Gallery at Frederiksborg Palace (XXXV, 1972, pp. 284-293)

Meir Stein

Leibniz and Language (XXXV, 1972, pp. 294-307)

  1. D. P. Walker

‘Medusa’ or the Physiognomy of the Earth: Humbert de Superville’s Cosmological Aesthetics (XXXV, 1972, pp. 308-338)

Barbara Stafford

The Italian Tour of William Hilton R. A. in 1825 (XXXV, 1972, pp. 339-358)

Marcia R. Pointon

  1. J. M. W. Turner and Sir Walter Scott: Iconography of a Tour (XXXV, 1972, pp. 359-385)

Gerald E. Finley

Cain’s Murder-Weapon and Samson’s Jawbone of an Ass (XXXV, 1972, pp. 386-389)

  1. A. A. Barb

The Holy Sepulchre Lintel (XXXV, 1972, pp. 389-390)

Alan Borg

Sforzinda, Filarete and Filelfo (XXXV, 1972, pp. 391-397)

  1. S. Lang

The Rucellai Family and Its Loggia (XXXV, 1972, pp. 397-401)

  1. F. W. Kent

Butler’s Character of Hudibras and Contemporary Graphic Satire (XXXV, 1972, pp. 401-404)

Laurel Brodsley

Vol. XXXVI, 1973

The Meaning of Horace’s Ut Pictura Poesis (XXXVI, 1973, pp. 1-34)

Wesley Trimpi

Ovid’s Tomb: The Growth of a Legend from Eusebius to Laurence Sterne, Chateaubriand and George Richmond (XXXVI, 1972, pp. 35-76)

  1. J. B. Trapp

The Crucifix of Fernando and Sancha and Its Relationship to North French Manuscripts (XXXVI, 1973, pp. 77-91)

Marlene Park

Carpentry and Design in Duccio’s Workshop: The London and Boston Triptychs (XXXVI, 1973, pp. 92-105)

John White

Some Remarks on Mamluk Playing Cards (XXXVI, 1973, pp. 106-128)

Michael Dummett; Kamal Abu-Deeb

Federigo da Montefeltro’s Patronage of the Arts, 1468-1482 (XXXVI, 1973, pp. 129-144)

Cecil H. Clough

The Travels of Bernardo Michelozzi and Bonsignore Bonsignori in the Levant (1497-98) (XXXVI, 1973, pp. 145-197)

Eve Borsook

The Invention of the Columnar Device of Emperor Charles V at the Court of Burgundy in Flanders in 1516 (XXXVI, 1973, pp. 198-230)

Earl E. Rosenthal

English Ruins and English History: The Dissolution and the Sense of the Past (XXXVI, 1973, pp. 231-255)

Margaret Aston

Spenser’s Amoretti VIII and Platonic Commentaries on Petrarch (XXXVI, 1973, pp. 256-276)

Jon A. Quitslund

The Orchestra of Sir John Davies and the Image of the Dance (XXXVI, 1973, pp. 277-304)

Sarah Thesiger

The Iconography of Poussin’s Painting Representing Diana and Endymion (XXXVI, 1973, pp. 305-318)

Francis H. Dowley

Carlo Fontana’s Project for a Church in Honour of the ‘Ecclesia Triumphans’ in the Colosseum, Rome (XXXVI, 1973, pp. 319-337)

Hellmut Hager

Falsificazioni Epigrafiche di Girolamo Asquini (XXXVI, 1973, pp. 338-354)

Maria Pia Billanovich

The Bird Carista (XXXVI, 1973, pp. 355-357)

Salome Zajadacz-Hastenrath

A Medieval Definition of Scientific Experiment in the Hebrew Picatrix (XXXVI, 1973, pp. 358-359)

  1. M. Plessner

Horatian Reminiscences in Two Twelfth-Century Art Critics (XXXVI, 1973, pp. 359-360)

John Gage

Towards a Literary Source for the Scenes of the Passion in Queen Mary’s Psalter (XXXVI, 1973, pp. 361-365)

Marion Roberts

Chaucer’s Attitude towards Astrology (XXXVI, 1973, pp. 365-366)

Frank D. Gilliard

The Iconography of the Frescoes in the Oratorio di S. Giovanni at Urbino (XXXVI, 1973, pp. 367-373)

Penelope A. Dunford

Mantegna’s St. Sebastians: Stabilitas in a Pagan World (XXXVI, 1973, pp. 373-377)

Joan G. Caldwell

Tarsie: Design and Designers (XXXVI, 1973, pp. 377-382)

  1. M. J. Thornton

Marcantonio Michiel’s Collection (XXXVI, 1973, pp. 382-385)

Jennifer Fletcher

A ‘New Route’ in 1822 Turner’s Colour and Optics (XXXVI, 1973, pp. 385-390)

Gerald E. Finley

Turner’s Illustrations to Napoleon (XXXVI, 1973, pp. 390-396)

Gerald E. Finley

Some Commercial Aspects of the Boydell Shakespeare Gallery (XXXVI, 1973, pp. 396-401)

Winifred H. Friedman

Vol. XXXVII, 1974

The Klosterneuburg Altar of Nicholas of Verdun: Art, Theology and Politics (XXXVII, 1974, pp. 1-32)

Helmut Buschhausen

Scrutamini Scripturas: Joachimist Themes and Figurae in the Early Religious Writing of Arnold of Vilanova (XXXVII, 1974, pp. 33-56)

Harold Lee

The Stefaneschi Altarpiece: A Reconsideration (XXXVII, 1974, pp. 57-103)

Julian Gardner

The Nevill Hours and the School of Herman Scheerre (XXXVII, 1974, pp. 104-130)

Gereth M. Spriggs

Fifteenth-Century Dutch Bible Illustration and the Historia Scholastica (XXXVII, 1974, pp. 131-144)

Sandra Hindman

Francesco Giorgio’s Commentary on Giovanni Pico’s Kabbalistic Theses (XXXVII, 1974, pp. 145-156)

Chaim Wirszubski

The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy (XXXVII, 1974, pp. 157-173)

Marcia B. Hall

Henry Peacham and the Art of Drawing (XXXVII, 1974, pp. 174-190)

  1. F. J. Levy

Rubens’s Arch of the Mint (XXXVII, 1974, pp. 191-217)

Elizabeth McGrath

The Devotion of the Forty Hours and Roman Baroque Illusions (XXXVII, 1974, pp. 218-248)

Mark S. Weil

Virtue’s Wintry Reward: Pietro Testa’s Etchings of the Seasons (XXXVII, 1974, pp. 249-279)

Elizabeth Cropper

Carlo Fontana and the Jesuit Sanctuary at Loyola (XXXVII, 1974, pp. 280-289)

Hellmut Hager

Shaftesbury’s Illustrations of Characteristics (XXXVII, 1974, pp. 290-312)

Felix Paknadel

English Realism: George Eliot and the Pre-Raphaelites (XXXVII, 1974, pp. 313-329)

John Murdoch

The Exaltation of David (XXXVII, 1974, pp. 330-333)

Hugo Buchthal

Two Panels on the Ruthwell Cross (XXXVII, 1974, pp. 333-336)

  1. D. R. Howlett

Iconographical Notes towards a Definition of the Medieval Fool (XXXVII, 1974, pp. 336-342)

  1. D. J. Gifford

The Letters Genuine and Spurious of Giovanni Rucellai (XXXVII, 1974, pp. 342-349)

  1. F. W. Kent

Battista Guarini and a Book at Oxford (XXXVII, 1974, pp. 349-353)

Dennis E. Rhodes

The Good Friday Liturgy and Hans Memling’s Antwerp Triptych (XXXVII, 1974, pp. 353-356)

Maurice B. McNamee

An Antique Prototype for Michelangelo’s Fall of Man (XXXVII, 1974, pp. 356-358)

Avraham Ronen

Vesta and the Martyrdom of St. Lawrence in the Sixteenth Century (XXXVII, 1974, pp. 358-362)

Robert W. Gaston

The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages (XXXVII, 1974, pp. 362-367)

Philipp Fehl

Young Milton and the Telescope (XXXVII, 1974, pp. 368-373)

Lubomir Konecny

The Medici in Elizabethan and Jacobean Drama (XXXVII, 1974, pp. 373-378)

  1. T. S. R. Boase

King Charles II’s Own Fashion: The Theatrical Origins of the English Vest (XXXVII, 1974, pp. 378-382)

Diana De Marly

Vol. XXXVIII, 1975

Three Manuscripts for Lucchese Canons of S. Frediano in Rome (XXXVIII, 1975, pp. 1-52)

Edward B. Garrison

The Miniature Cycle in the Sandomierz Pantheon and the Medieval Iconography of Alexander’s Indian Campaign (XXXVIII, 1975, pp. 53-71)

Krystyna Secomska

Some Cardinals’ Seals of the Thirteenth Century (XXXVIII, 1975, pp. 72-96)

Julian Gardner

English Misericords of the Thirteenth and Fourteenth Centuries and Their Relationship to Manuscript Illuminations (XXXVIII, 1975, pp. 97-108)

Christa Grossinger

Lettura storica degli affreschi della ‘Camera degli sposi’ di A. Mantegna (XXXVIII, 1975, pp. 109-135)

Rodolfo Signorini

The Florentine Entrata of Leo X, 1515 (XXXVIII, 1975, pp. 136-154)

John Shearman

Joseph Scaliger’s Edition of Catullus (1577) and the Traditions of Textual Criticism in the Renaissance (XXXVIII, 1975, pp. 155-181)

Anthony T. Grafton

A Netherlandish History by Joachim Wtewael (XXXVIII, 1975, pp. 182-217)

Elizabeth McGrath

On the Date and Function of Some Allegorical Sketches by Rubens (XXXVIII, 1975, pp. 218-233)

Julius S. Held

Chapman’s Ovids Banquet of Sence: Its Sources and Theme (XXXVIII, 1975, pp. 234-257)

Louise Vinge

The Perspective of Shadows: The History of the Theory of Shadow Projection (XXXVIII, 1975, pp. 258-287)

Thomas Da Costa Kaufmann

‘Pintura’: Background and Sketch of a Spanish Seventeenth-Century Court Genre (XXXVIII, 1975, pp. 288-313)

Gareth Alban Davies

English Church Monuments to Women Who Died in Childbed between 1780 and 1835 (XXXVIII, 1975, pp. 314-332)

  1. N. B. Penny

Jacopo Sansovino’s Madonna in Sant’Agostino: An Antique Source Rediscovered (XXXVIII, 1975, pp. 333-338)

Mary D. Garrard

A Connoisseur’s Shopping-List, 1647 (XXXVIII, 1975, pp. 339-341)

  1. J. P. Ferris

An Unusual Binding Design after Durer’s Melencolia I (XXXVIII, 1975, pp. 341-342)

William Hauptman

Vol. XXXIX, 1976

An Early Fourteenth-Century English Breviary at Longleat (XXXIX, 1976, pp. 1-20)

Lucy Freeman Sandler

The Housing Problems of Cardinal Francesco Gonzaga (XXXIX, 1976, pp. 21-58)

  1. D. S. Chambers

A Confraternity of the Holy Ghost and a Series of Paintings of the Life of the Virgin in London and Munich (XXXIX, 1976, pp. 59-68)

Stella Mary Newton

Magic and Radical Reformation in Agrippa of Nettesheim (XXXIX, 1976, pp. 69-103)

Paola Zambelli

Reuchlin’s De Verbo Mirifico and the Magic Debate of the Late Fifteenth Century (XXXIX, 1976, pp. 104-138)

Charles Zika

The Voynich ‘Roger Bacon’ Cipher Manuscript: Deciphered Maps of Stars (XXXIX, 1976, pp. 139-150)

Robert S. Brumbaugh

Arma Virumque... Nicolo dell’Abate’s Aeneid gabinetto for Scandiano (XXXIX, 1976, pp. 151-170)

Erika Langmuir

A Quaker-Kabbalist Controversy: George Fox’s Reaction to Francis Mercury van Helmont (XXXIX, 1976, pp. 171-189)

Allison Coudert

The Decorations for Archduke Leopold William’s State Entry into Antwerp (XXXIX, 1976, pp. 190-198)

Hans Vlieghe

The Stylistic Term ‘Plateresque’ (XXXIX, 1976, pp. 199-230)

  1. J. B. Bury

The Legend of the Three Hermes and Abu Ma’shar’s Kitab al-Uluf in the Latin Middle Ages (XXXIX, 1976, pp. 231-234)

Charles S. F. Burnett

Bonaventura Berlinghieri’s Palmettes (XXXIX, 1976, pp. 234-236)

Ernst H. Gombrich

An Unpublished Bodleian Miniature: The Entombment in the Holy Sepulchre (XXXIX, 1976, pp. 236-237)

Barbara G. Lane

Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (1) Bartolomeo Scala (XXXIX, 1976, pp. 237-239)

  1. A. M. Brown

Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (2) The Book Trade (XXXIX, 1976, pp. 239-245)

  1. A. C. de la Mare

A Drawing for Santa Maria presso San Satiro (XXXIX, 1976, pp. 246-253)

  1. R. V. Schofield

Of Beggars: Lucas van Leyden and Sebastian Brant (XXXIX, 1976, pp. 253-257)

Lawrence A. Silver

Architecture in Vasari’s ‘Massacre of the Huguenots’ (XXXIX, 1976, pp. 258-261)

  1. E. Howe

On the Iconography of a Carving in King’s College Chapel, Cambridge, p. 262

Jennifer Fellows

The Iconography of Spenser’s Occasion (XXXIX, 1976, pp. 263-266)

John Manning; Alastair Fowler

Henry Fuseli’s ‘Queen Katherine’s Vision’ and Macklin’s Poets’ Gallery: A New Critique (XXXIX, 1976, pp. 266-268)

Marcia Allentuck

The Origin and the Concept of ‘Classique’ in French Art Criticism (XXXIX, 1976, pp. 268-275)

  1. J. J. L. Whiteley

Delacroix Emblematicus, His Unknown Studies after Bonasone (XXXIX, 1976, pp. 275-280)

Sara Lichtenstein

Vol. XL, 1977

John of Salisbury’s Manuscripts of Frontinus and of Gellius (XL, 1977, pp. 1-26)

Janet Martin

Saint Mark’s Trophies: Legend, Superstition, and Archaeology in Renaissance Venice (XL, 1977, pp. 27-49)

Marilyn Perry

The Brancacci Chapel: Studies in Its Iconography and History (XL, 1977, pp. 50-98)

Anthony Molho

Sant’Andrea at Mantua and Gonzaga Patronage 1460-1472 (XL, 1977, pp. 99-127)

  1. D. S. Chambers

Leonardo and the Visual Pyramid (XL, 1977, pp. 128-149)

Martin Kemp

On the Scholarship of Politian and Its Context (XL, 1977, pp. 150-188)

  1. A. Grafton

Lefevre d’Etaples, Symphorien Champier, and the Secret Names of God (XL, 1977, pp. 189-211)

Brian P. Copenhaver

Extraits des Glosae super Platonem de Guillaume de Conches dans un manuscrit de Londres (XL, 1977, pp. 212-222)

Edouard Jeauneau

The Coryciana and the Nymph Corycia (XL, 1977, pp. 223-239)

Phyllis Pray Bober

Andrea Palladio, Polybius and Julius Caesar (XL, 1977, pp. 240-255)

  1. J. R. Hale

Descartes’s Dreams (XL, 1977, pp. 256-273)

Alice Browne

Herod’s Demon-Crown (XL, 1977, pp. 274-276)

Miriam Skey

John of Salisbury’s Policraticus in Thirteenth-Century England: The Evidence of Ms Cambridge Corpus Christi College 469 (XL, 1977, pp. 276-282)

Amnon Linder

New Light on the Circulation of the A-Text of Seneca’s Tragedies (XL, 1977, pp. 283-290)

  1. R. H. Rouse; A. C. de la Mare

The Throne and the Seven-Branched Candlestick: Pico della Mirandola’s Hebrew Source (XL, 1977, pp. 290-292)

Moshe Idel

Two Notes on Diego da Sagredo (XL, 1977, pp. 292-300)

Nigel Llewellyn

The Authorship of the Recueil d’Arras (XL, 1977, pp. 301-313)

Lorne Campbell

Inigo Jones: An Allegory Recovered, p. 314

Stephen Orgel

Rubens’s Infant-Cornucopia (XL, 1977, pp. 315-318)

Elizabeth McGrath

A Sixteenth-Century Illustrated Treatise on Comets (XL, 1977, pp. 318-322)

Jean-Michel Massing

Back to top .

Vol. XLI (1978); Vol. XLII (1979); Vol. XLIII (1980); Vol. XLIV (1981); Vol. XLV (1982); Vol. XLVI (1983); Vol. XLVII (1984); Vol. XLVIII (1985); Vol. XLIX (1986); Vol. L (1987).

Vol. XLI, 1978

The Medieval Legend of the Last Roman Emperor and Its Messianic Origin (XLI, 1978, pp. 1-15)

Paul J. Alexander

Medieval Illustrations of Bede’s Life of St. Cuthbert (XLI, 1978, pp. 16-49)

Malcolm Baker

The Vision of Thurkill (XLI, 1978, pp. 50-64)

Paul Gerhard Schmidt

The Discovery of an Early Man of Sorrows on a Dominican Triptych (XLI, 1978, pp. 65-75)

  1. H. W. van Os

Lorenzo Valla’s De Vero Falsoque Bono, Lactantius and Oratorical Scepticism (XLI, 1978, pp. 76-107)

Letizia A. Panizza

Leonardo’s Eye (XLI, 1978, pp. 108-146)

James S. Ackerman

Doctor Parma’s Medicinal Macaronic: Poem by Bartolotti, Pictures by Giorgione and Titian (XLI, 1978, pp. 147-191)

William Schupbach

The Historiography of Discovery in the Renaissance: The Sources and Composition of Polydore Vergil’s De Inventoribus Rerum, I-III (XLI, 1978, pp. 192-214)

Brian P. Copenhaver

Cardinal Domenico Grimani’s Legacy of Ancient Art to Venice (XLI, 1978, pp. 215-244)

Marilyn Perry

The Painted Decoration of Rubens’s House (XLI, 1978, pp. 245-277)

Elizabeth McGrath

The Fonthill Abbey Pictures: Two Additions to the Hazlitt Canon (XLI, 1978, pp. 278-296)

Stanley Jones

The Corbels in the Dome of Loarre (XLI, 1978, pp. 297-301)

Katherine Watson

Gardens of Virtue in the Middle Ages (XLI, 1978, pp. 302-307)

Ellen Kosmer

Bishop Bradwardine on the Artificial Memory (XLI, 1978, pp. 307-312)

Beryl Rowland

The Political Significance of Uccello’s Battle of San Romano (XLI, 1978, pp. 313-316)

Gordon Griffiths

The Virgin Snail (XLI, 1978, p. 316)

Helen S. Ettlinger

A Dog Named Rubino (XLI, 1978, pp. 317-320)

Rodolfo Signorini

Hozi... Cadette il Naso a Virgilio (XLI, 1978, pp. 320-321)

Rodolfo Signorini

Papal Conclaves and Prophetic Mystery in the Sistine Chapel (XLI, 1978, pp. 322-326)

  1. D. S. Chambers

Cupid Disarmed, or Venus Wounded? An Ovidian Source for Michelangelo and Bronzino (XLI, 1978, pp. 327-331)

William Keach

Aspects of Imitation in Cavino’s Medals (XLI, 1978, pp. 331-334)

Charles Davis

Bellori, Maratti and the Palazzo Altieri (XLI, 1978, pp. 334-340)

Jennifer Montagu

Goya’s Liberal Iconography: Two Images of Jovellanos (XLI, 1978, pp. 340-344)

Steven A. Mansbach

Pugin and Ruskin (XLI, 1978, pp. 344-350)

Patrick R. M. Conner

Vol. XLII, 1979

Figured Poetry (XLII, 1979, pp. 1-15)

Elizabeth Cook

Saturn and the Jews (XLII, 1979, pp. 16-27)

Eric Zafran

The Problem of Provincialism: Byzantine Monasteries in Cappadocia and Monks in South Italy (XLII, 1979, pp. 28-46)

Ann Wharton Epstein

The Master of Gargilesse: A French Sculptor of the First Half of the Twelfth Century (XLII, 1979, pp. 47-64)

Adelheid Heimann

An Early Fourteenth-Century English Psalter in the Escorial (XLII, 1979, pp. 65-80)

Lucy Freeman Sandler

Pierfrancesco de’ Medici, 1430-1476: A Radical Alternative to Elder Medicean Supremacy? (XLII, 1979, pp. 81-103)

Alison Brown

Cupid and Psyche in Renaissance Painting before Raphael (XLII, 1979, pp. 104-121)

Luisa Vertova

Early Medicean Devices (XLII, 1979, pp. 122-143)

Francis Ames-Lewis

Jean Lemaire de Belges and Prophecy (XLII, 1979, pp. 144-166)

Jennifer Britnell

Rhetoric, Philology and Egyptomania in the 1570s: J. J. Scaliger’s Invective against M. Guilandinus’s Papyrus (XLII, 1979, pp. 167-194)

  1. A. Grafton

George Gilbert Scott and the Martyrs’ Memorial (XLII, 1979, pp. 195-206)

Nicola C. Smith

On the Blank Daniel-Cycle in MS Junius II (XLII, 1979, pp. 207-213)

Peter J. Lucas

The Seven-Branched Candlestick as a Psalter Illustration (XLII, 1979, pp. 213-215)

Pamela Willetts

In the Wake of the Bury Bible: Followers of Master Hugo at Bury St. Edmunds (XLII, 1979, pp. 216-224)

Elizabeth Parker McLachlan

A Note on Pamphilus (XLII, 1979, pp. 225-230)

Peter Dronke

The Iconography of the Months at Lentini (XLII, 1979, pp. 230-233)

Nancy Rash Fabbri

Aspects of the Iconography of the Devil at the Crucifixion (XLII, 1979, pp. 233-235)

  1. C. W. Marx; M. A. Skey

Francesco Filelfo’s Lost Letter De Ideis (XLII, 1979, pp. 236-249)

Jill Kraye

Lorenzo de’ Medici’s Acquisition of Poggio a Caiano in 1474 and an Early Reference to His Architectural Expertise (XLII, 1979, pp. 250-257)

  1. F. W. Kent

Antonio Pollaiuolo’s Use of the Antique (XLII, 1979, pp. 257-263)

Laurie Fusco

Giulio Romano, Giovanni da Udine and Raphael: Some Influences from the Minor Arts of Antiquity (XLII, 1979, pp. 263-272)

Toby Yuen

Distat Enim Qvae Sydera te Excipiant (XLII, 1979, p. 273)

Rodolfo Signorini

Cosmas and Damian in the New Sacristy (XLII, 1979, pp. 274-277)

Till Verellen

The Last Will of Daniele Barbaro (XLII, 1979, pp. 277-282)

Bruce Boucher

The Author of a Renaissance Commentary on Pliny: Rivius, Trithemius or Aquaeus? (XLII, 1979, pp. 282-286)

Charles G. Nauert

A New Source for John Lyly’s Euphues and His England (XLII, 1979, pp. 286-289)

Gareth. J. Roberts

Landscape and the ‘Art Prospective’ in England, 1584-1660 (XLII, 1979, pp. 290-293)

James Turner

Vol. XLIII, 1980

Some of the Sources of the Ghayat al-hakim (XLIII, 1980, pp. 1-15)

David Pingree

Bernard Silvestris, Natura, and Personification (XLIII, 1980, pp. 16-31)

Peter Dronke

The Reconstructed Toledo Speculum Humanae Salvationis: The Italian Connection in the Early Fourteenth Century (XLIII, 1980, pp. 32-51)

Evelyn Silber

The Windmill Psalter: The Historiated Letter E of Psalm One (XLIII, 1980, pp. 52-67)

Adelaide Bennett

Leon Battista Alberti’s System of Human Proportions (XLIII, 1980, pp. 68-96)

Jane Andrews Aiken

The Influence of Hermias on Marsilio Ficino’s Doctrine of Inspiration (XLIII, 1980, pp. 97-109)

Anne Sheppard

Two Commentaries on the Phaedrus: Ficino’s Indebtedness to Hermias (XLIII, 1980, pp. 110-129)

Michael J. B. Allen

Golden Age and Justice in Sixteenth-Century Florentine Political Thought and Imagery: Observations on Three Pictures by Jacopo Zucchi (XLIII, 1980, pp. 130-149)

Thomas Puttfarken

Greek Sculpture and Roman Copies I: Anton Raphael Mengs and the Eighteenth Century (XLIII, 1980, pp. 150-173)

  1. A. D. Potts

An Aspect of the Early Gothic Revival: The Transformation of Medievalist Research, 1770-1800 (XLIII, 1980, pp. 174-185)

John Frew

The ‘Spectre’ of Science. The Study of Optical Phenomena and the Romantic Imagination (XLIII, 1980, pp. 186-200)

  1. C. J. Wright

The Growth of Interest in Early Italian Painting in Britain: George Darley and the Athenaeum, 1834-1846 (XLIII, 1980, pp. 201-220)

Robyn Cooper

Eve as Reason in a Tradition of Allegorical Interpretation of the Fall (XLIII, 1980, pp. 221-226)

  1. A. Kent Hieatt

Mechanical Wheels of Fortune, 1100-1547 (XLIII, 1980, pp. 227-233)

Alan H. Nelson

Tomaso da Modena, Simone Martini, Hungarians and St. Martin in Fourteenth-Century Italy (XLIII, 1980, pp. 234-238)

Stella Mary Newton

The Book of Wisdom and Lorenzetti’s Fresco in the Palazzo Pubblico at Siena (XLIII, 1980, pp. 239-241)

Chiara Frugoni

Cyriacus of Ancona and the Ottoman Sultan Mehmed II (XLIII, 1980, pp. 242-246)

Julian Raby

Giovanni da Tolentino Goes to Rome: A Description of the Antiquities of Rome in 1490 (XLIII, 1980, pp. 246-256)

Richard Schofield

A New Look at Melencolia I (XLIII, 1980, pp. 257-258)

David Pingree

The Winged Bacchus (Pausanias, Rabelais and Later Emblematists) (XLIII, 1980, pp. 259-262)

  1. M. A. Screech

A Scholion by Hermias to Plato’s Phaedrus and Its Adaptations in Pietro Testa’s Blinding of Homer and in Politian’s Ambra (XLIII, 1980, pp. 262-265)

Elizabeth Cropper

Vol. XLIV, 1981

A Locus Classicus of Colour Theory: The Fortunes of Apelles (XLIV, 1981, pp. 1-26)

John Gage

Between the Ghaya and Picatrix. I: The Spanish Version (XLIV, 1981, pp. 27-56)

David Pingree

Vincenzo Borghini and Invenzione: The Florentine Apparato of 1565 (XLIV, 1981, pp. 57-75)

  1. R. A. Scorza

El Greco’s Entombment of the Count of Orgaz and Spanish Medieval Tomb Art (XLIV, 1981, pp. 76-89)

Franz Philipp

Dreams and Picture-Writing: Some Examples of This Comparison from the Sixteenth to the Eighteenth Century (XLIV, 1981, pp. 90-100)

Alice Browne

Prolegomena to Friedrich August Wolf (XLIV, 1981, pp. 101-129)

Anthony Grafton

Cubism and ‘The Fourth Dimension’ in the Context of the Late Nineteenth-Century and Early Twentieth-Century Revival of Occult Idealism (XLIV, 1981, pp. 130-147)

Tom H. Gibbons

Leviathan, Behemoth and Ziz: A Christian Adaptation (XLIV, 1981, pp. 148-156)

Lois Drewer

A Walrus Ivory Pyx and the Visitatio Sepulchri (XLIV, 1981, pp. 157-160)

  1. T. A. Heslop

A Note on the Origins of the Third Vatican Mythographer (XLIV, 1981, pp. 160-166)

Charles S. F. Burnett

Hermann of Carinthia and the Kitab al-Istamatis: Further Evidence for the Transmission of Hermetic Magic (XLIV, 1981, pp. 167-169)

Charles S. F. Burnett

Two Scholastic Discussions of the Perception of Depth by Shading (XLIV, 1981, pp. 170-175)

Peter Marshall

A Textual Source for Ghiberti’s ‘Creation of Eve’ (XLIV, 1981, p. 176)

Helen Ettlinger

Laetentur Caeli: The Council of Florence and the Astronomical Fresco in the Old Sacristy (XLIV, 1981, pp. 176-180)

Patricia Fortini Brown

Acquisitions for Ludovico II Gonzaga’s Library (XLIV, 1981, pp. 180-183)

Rodolfo Signorini

A Further Note on the Greek Manuscripts of Palla Strozzi (XLIV, 1981, pp. 183-185)

Heather J. Gregory

Hic Terminus Haeret: Du Terme d’Erasme a la devise de Claude Gouffier: la fortune d’un embleme a la Renaissance (XLIV, 1981, pp. 186-192)

Jean Guillaume

‘What Venus Did with Mars’: Battista Fiera and Mantegna’s ‘Parnassus’ (XLIV, 1981, pp. 193-198)

Roger Jones

A Presentation Volume for Henry VIII: The Charlecote Park Copy of Erasmus’s Institutio principis Christiani (XLIV, 1981, pp. 199-202)

Cecil H. Clough

A Lost Poem by Michelangelo? (XLIV, 1981, pp. 202-206)

Anthony Hughes

Marcantonio Michiel’s Mercury Statue: Astronomical or Astrological? (XLIV, 1981, pp. 207-209)

  1. J. C. Eade

The Invention of Gunpowder (XLIV, 1981, pp. 209-211)

Scott Schaefer

The Chariot of Venus: A Note on Chapman’s Mythographical Sources (XLIV, 1981, pp. 211-213)

Supriya Chaudhuri

The Author of the Codex Huygens (XLIV, 1981, pp. 214-220)

Sergio Marinelli

Rubens’s Emblem of the Art of Painting (XLIV, 1981, pp. 221-222)

Jeffrey M. Muller

Thomas Hobbes and the ‘Far-Fetched’ (XLIV, 1981, pp. 222-232)

Elizabeth J. Cook

Picturing Hobbes’s Politics? The Illustrations to Philosophicall Rudiments (XLIV, 1981, pp. 232-237)

  1. M. M. Goldsmith

Donec auferatur luna: The Facade of S. Maria della Pace (XLIV, 1981, pp. 238-239)

Peter Burke

The Source of Bunyan’s Mapp of Salvation (XLIV, 1981, pp. 240-241)

Gordon Campbell

Ars longa, vita brevis: The Watteau Study and Lord Percy by J. M. W. Turner (XLIV, 1981, pp. 241-247)

Gerald Finley

Vol. XLV, 1982

‘This Story Is Not True.’ Fact and Fiction in Antiquity (XLV, 1982, pp. 1-13)

  1. C. R. Ligota

An Illustrated Fragment of Peraldus’s Summa of Vice: Harleian MS 3244 (XLV, 1982, pp. 14-68)

Michael Evans

Simone Martini, the Dominicans and the Early Sienese Polyptych (XLV, 1982, pp. 69-93)

Joanna Cannon

Below the Angel: An Urbanistic Project in the Rome of Pope Nicholas V (XLV, 1982, pp. 94-124)

Charles Burroughs

Giovanni Pico della Mirandola and Jochanan Alemanno (XLV, 1982, pp. 125-147)

  1. B. C. Novak

The Liturgical and Commemorative Allusions in Raphael’s Transfiguration and Failure to Heal (XLV, 1982, pp. 148-159)

Catherine King

Annibal Caro as Iconographer: Sources and Method (XLV, 1982, pp. 160-181)

Clare Robertson

Early Medieval Wall-Painting in the Church of San Clemente, Rome: The Libertinus Cycle and Its Date (XLV, 1982, pp. 182-185)

John Osborne

An Illustrated Greek Astronomical Manuscript. Commentary of Theon of Alexandria on the Handy Tables and Scholia and Other Writings of Ptolemy concerning Them (XLV, 1982, pp. 185-192)

David Pingree

Jewish Participation in Royal Funerary Rites: An Early Use of the Representatio in Aragon (XLV, 1982, pp. 192-194)

Elena Lourie

Marsilio Ficino and the Twelve Gods of the Zodiac (XLV, 1982, pp. 195-202)

Carol V. Kaske

Botticelli’s ‘Primavera’: che volea s’intendesse (XLV, 1982, pp. 202-210)

Paul Holberton

Bosch’s Wanderer and a Poverty Commonplace from Juvenal (XLV, 1982, pp. 211-216)

Rene Graziani

Machiavelli and the Interpretation of the Chiron Myth in France (XLV, 1982, pp. 217-225)

Heather Ingman

The Geometric Body in Durer’s Engraving Melencolia I (XLV, 1982, pp. 226-232)

Terence Lynch

The Court: Castiglione’s Ideal and Tudor Reality; Being a Discussion of Sir Thomas Wyatt’s Satire Addressed to Sir Francis Bryan (XLV, 1982, pp. 232-239)

David Starkey

Bronzino’s Allegory in the National Gallery (XLV, 1982, pp. 239-243)

Charles Hope

Marvell and the Twelve Caesars (XLV, 1982, pp. 244-248)

  1. R. J. Dingley

La Fontaine Egyptologue (XLV, 1982, pp. 248-250)

Jean Seznec

The Baluster Column: A European Motif in Mughal Architecture and Its Meaning (XLV, 1982, pp. 251-262)

Ebba Koch

Transformations of Cervantes’s ‘La Gitanilla’ in Dutch Art (XLV, 1982, pp. 263-270)

Ivan Gaskell

An Unpublished Letter on the Theme of Religion from Count Lorenzo Magalotti to the Honourable Robert Boyle in 1672 (XLV, 1982, pp. 271-278)

Anna Maria Crino

Vol. XLVI, 1983

Towards an Iconography of Anglo-Saxon Architecture (XLVI, 1983, pp. 1-18)

Richard Gem

The Illustration of Pliny’s Historia naturalis: Manuscripts before 1430 (XLVI, 1983, pp. 19-39)

Lilian Armstrong

Textual Interpretation in Italy, 1350-1450: Seneca’s Letter I to Lucilius (XLVI, 1983, pp. 40-62)

Letizia A. Panizza

Giordano Bruno: The Texts in the Library of the Ninth Earl of Northumberland (XLVI, 1983, pp. 63-77)

Hilary Gatti

Protestant versus Prophet: Isaac Casaubon on Hermes Trismegistus (XLVI, 1983, pp. 78-93)

Anthony Grafton

The University as Cloister, Garden and Tree of Knowledge. An Iconographic Invention in the University of Cuzco (XLVI, 1983, pp. 94-132)

Francisco Stastny

The Iconography of Stourhead (XLVI, 1983, pp. 133-143)

Malcolm Kelsall

British Travellers and Scholars in the Roman Catacombs 1450-1900 (XLVI, 1983, pp. 144-165)

Robert W. Gaston

Walter Pater’s Marius the Epicurean. The Imaginary Portrait as Cultural History (XLVI, 1983, pp. 166-190)

Jules Lubbock

target=_blankEdvard Munch’s Dramatic Images 1892-1909 (XLVI, 1983, pp. 191-206)

Carla Lathe

Giovanni Rucellai: An Epitaph, p. 207

  1. F. W. Kent

Proverbial Wisdom and Social Criticism: Two New Pages from the Walters Art Gallery’s Proverbes en rimes (XLVI, 1983, pp. 208-210)

Jean Michel Massing

‘The Prison of Love’: A Medieval Romance in the French Renaissance and Its Illustration (B. N. MS fr. 2150) (XLVI, 1983, pp. 211-221)

Myra Dickman Orth

Emblems and Devices on a Ceiling in the Chateau of Dampierre-sur-Boutonne (XLVI, 1983, pp. 221-228)

Maria Antonietta de Angelis

‘The Drunken Alcibiades’: Rubens’s Picture of Plato’s Symposium (XLVI, 1983, pp. 228-235)

Elizabeth McGrath

Rembrandt and The Slaughtered Ox (XLVI, 1983, pp. 235-239)

Kenneth M. Craig

The Cat and the Cradle (XLVI, 1983, pp. 240-242)

Julian Treuherz

Vol. XLVII, 1984

The Grave of Vergil (XLVII, 1984, pp. 1-31)

  1. J. B. Trapp

An Anglo-Saxon Portable Altar: Inscription and Iconography (XLVII, 1984, pp. 32-51)

Elisabeth Okasha; Jennifer O’Reilly

Alberti’s De Pictura: Its Literary Structure and Purpose (XLVII, 1984, pp. 52-71)

  1. D. R. Edward Wright

Fra Giocondo da Verona and His Edition of Vitruvius (XLVII, 1984, pp. 72-90)

Lucia A. Ciapponi

The Astrological Vault of the Villa Farnesina Agostino Chigi’s Rising Sign (XLVII, 1984, pp. 91-105)

Mary Quinlan-McGrath

Art and Propaganda in Late Renaissance and Baroque Florence: The Defeat of Radagasius, King of the Goths (XLVII, 1984, pp. 106-118)

Henk Th. van Veen

Marlborough, Art and Diplomacy: The Background to Peter Strudel’s Drawing of Time Revealing Truth and Confounding Fraudulence (XLVII, 1984, pp. 119-135)

  1. P. M. Barber

Basle, Bachofen and the Critique of Modernity in the Second Half of the Nineteenth Century (XLVII, 1984, pp. 136-185)

Lionel Gossman

Some Medieval and Renaissance Citations of Theophrastus (XLVII, 1984, pp. 186-190)

  1. R. W. Sharples

Seven Manuscripts Palla Strozzi Gave to the S. Giustina Library (XLVII, 1984, pp. 190-191)

Mark L. Sosower

The Birth Date of Agostino Chigi: Documentary Proof (XLVII, 1984, pp. 192-193)

Ingrid. D. Rowland

Some Panegyrics to Agostino Chigi (XLVII, 1984, pp. 194-199)

Ingrid D. Rowland

An Unpublished ‘Pronosticatio’ on the Return of Charles VIII to Italy (XLVII, 1984, pp. 200-203)

Amnon Linder

The Ominous Play of Children: Thomas More’s Adaptation of an Image from Antiquity (XLVII, 1984, pp. 204-205)

Walter M. Gordon

Pirro Ligorio, the Casino of Pius IV, and Antiques for the Medici: Some New Documents (XLVII, 1984, pp. 205-209)

Robert W. Gaston

An Early Sixteenth-Century Genealogy of Anglo-Saxon Kings (XLVII, 1984, pp. 209-216)

  1. C. M. Kauffmann

The Astrological Decoration of the Sala dei Venti in the Palazzo del Te (XLVII, 1984, pp. 216-222)

Kristen Lippincott

How Hermes Trismegistus Was Introduced to Renaissance England: The Influences of Caxton and Ficino’s ‘Argumentum’ on Baldwin and Palfreyman (XLVII, 1984, pp. 222-225)

  1. J. S. Gill

Jean de La Jessee and the Family of Love in France (XLVII, 1984, pp. 225-228)

Heather Ingman

Account-Book Covers in Some Vanitas Still-Life Paintings (XLVII, 1984, pp. 229-231)

Basil S. Yamey

A Note on the Iconography of a Medal of Lavinia Fontana (XLVII, 1984, pp. 232-234)

Jean Owens Schaefer

Milton and the Lives of the Ancients (XLVII, 1984, pp. 234-238)

Gordon Campbell

Vol. XLVIII, 1985

The Five Senses in Late Medieval and Renaissance Art (XLVIII, 1985, pp. 1-22)

Carl Nordenfalk

Rudolph Agricola’s Reading of Literature (XLVIII, 1985, pp. 23-41)

Peter Mack

The Astrological Vault of the Camera di Griselda from Roccabianca (XLVIII, 1985, pp. 43-70)

Kristen Lippincott

Giovanni Battista Benedetti on the Mathematics of Linear Perspective (XLVIII, 1985, pp. 71-99)

  1. J. V. Field

From De die natali to De emendatione temporum: The Origins and Setting of Scaliger’s Chronology (XLVIII, 1985, pp. 100-143)

Anthony Grafton

Minimum and Maximum, Finite and Infinite Bruno and the Northumberland Circle (XLVIII, 1985, pp. 144-163)

Hilary Gatti

Goethe and Caricature: From Hogarth to Topffer (XLVIII, 1985, pp. 164-188)

David Kunzle

Imagerie populaire et caricature: la graphique politique antinapoleonienne en Russie et ses antecedents petroviens (XLVIII, 1985, pp. 189-221)

Marina Peltzer

Mercury at the Crossroads in Renaissance Emblems (XLVIII, 1985, pp. 222-229)

Barbara C. Bowen

Agrippa, Leonardo and the Codex Huygens (XLVIII, 1985, pp. 229-234)

Frank Zollner

Don Quixote in Broadsheets of the Seventeenth and Early Eighteenth Centuries (XLVIII, 1985, pp. 234-238)

Johannes Hartau

Hogarth’s Madmen (XLVIII, 1985, pp. 238-242)

Jane E. Kromm

Vol. XLIX, 1986

The Twelfth-Century Crusading Window of the Abbey of Saint-Denis: Praeteritorum Enim Recordatio Futurorum est Exhibitio (XLIX, 1986, pp. 1-40)

Elizabeth A. R. Brown; Michael W. Cothren

An Early French Humanist and Sallust: Jean Lebegue and the Iconographical Programme for the Catiline and Jugurtha (XLIX, 1986, pp. 41-65)

Donal Byrne

Piero della Francesca’s Treatment of Edge Distortion (XLIX, 1986, pp. 66-90)

  1. J. V. Field

Bramante, Michelangelo and the Sistine Ceiling (XLIX, 1986, pp. 91-105)

Charles Robertson

De emendata structura latini sermonis: The Latin Grammar of Thomas Linacre (XLIX, 1986, pp. 106-125)

Kristian Jensen

The Mirabilis Liber: Its Compilation and Influence (XLIX, 1986, pp. 126-149)

Jennifer Britnell; Derek Stubbs

The Image and the Moving Eye: Jean Pelerin (Viator) to Guidobaldo del Monte (XLIX, 1986, pp. 150-171)

Thomas Frangenberg

A Cambridge Platonist’s Materialism: Henry More and the Concept of Soul (XLIX, 1986, pp. 172-195)

John Henry

Shakespearean Allusion in English Caricature in the Age of Gillray (XLIX, 1986, pp. 196-210)

Jonathan Bate

John of Damascus, De fide orthodoxa: Translations by Burgundio (1153/54), Grosseteste (1235/40) and Lefevre d’Etaples (1507) (XLIX, 1986, pp. 211-217)

Irena Backus

Alexander the Great in Medieval Hebrew Literature (XLIX, 1986, pp. 218-226)

  1. W. Jac. van Bekkum

Van Eyck’s Illuminated Carafe (XLIX, 1986, pp. 227-230)

Brian Madigan

Roger Bacon and the Composition of Marsilio Ficino’s De vita longa (De vita, Book II) (XLIX, 1986, pp. 230-233)

John R. Clark

Mantegna’s Unknown Sons: A Rediscovered Epitaph (XLIX, 1986, pp. 233-235)

Rodolfo Signorini

The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli (XLIX, 1986, pp. 235-238)

Deborah Brown

Durer’s Dreams (XLIX, 1986, pp. 238-244)

Jean Michel Massing

A Proposal for the Foundation Date of the Villa Farnesina (XLIX, 1986, pp. 245-250)

Mary Quinlan-McGrath

Syphilis and Bronzino’s London Allegory (XLIX, 1986, pp. 250-255)

  1. J. F. Conway

The Case for the 1593 Edition of Thomas Combe’s Theater of Fine Devices (XLIX, 1986, pp. 255-257)

Peter M. Daly

Michelangelo’s Lost Sleeping Cupid and Fetti’s Vertumnus and Pomona (XLIX, 1986, pp. 257-259)

Ruth Rubinstein

Ronsard’s Odes as a Source for Poussin’s Aurora and Cephalus (XLIX, 1986, pp. 259-261)

Philip L. Sohm

Arthur’s Round Table in Hudibras (XLIX, 1986, pp. 261-264)

David Carlson

Vol. L, 1987

Foreword to the Fiftieth Volume (L, 1987, unpaginated, 1 p.)

  1. C. M. Kauffmann; J. B. Trapp

Panofsky, Suger and St Denis (L, 1987, pp. 1-17)

Peter Kidson

Pietro Lorenzetti and the History of the Carmelite Order (L, 1987, pp. 18-28)

Joanna Cannon

Classical Themes in the Decoration of the Palazzo Vecchio in Florence (L, 1987, pp. 29-43)

Nicolai Rubinstein

Annius of Viterbo and Historical Method (L, 1987, pp. 44-56)

Christopher R. Ligota

Ibn al-Hatim on the Talismans of the Lunar Mansions (L, 1987, pp. 57-81)

Kristen Lippincott; David Pingree

The Private Chapel of Cardinal Alessandro Farnese in the Cancelleria, Rome (L, 1987, pp. 82-112)

Patricia Rubin

The ‘Bellissimo Ingegno’ of Ferdinando Gonzaga (1587-1626), Cardinal and Duke of Mantua (L, 1987, pp. 113-147)

  1. D. S. Chambers

Velazquez and Murillo in Nineteenth-Century Britain. An Approach through Prints (L, 1987, pp. 148-159)

Enriqueta Harris

Lord Ronald Gower, Gustave Dore and the Genesis of the Shakespeare Memorial at Stratford-on-Avon (L, 1987, pp. 160-170)

Philip Ward-Jackson

Concerning Warburg’s ‘Costumi teatrali’ and Angelo Solerti (L, 1987, pp. 171-188)

  1. A. M. Meyer

The Earliest Chiromancy in the West (L, 1987, pp. 189-195)

Charles S. F. Burnett

A Baronial Bestiary: Heraldic Evidence for the Patronage of MS Bodley 764 (L, 1987, pp. 196-200)

Ronald Baxter

The Medallions on the Sistine Ceiling (L, 1987, pp. 200-204)

Charles Hope

Ajax and Cassandra: An Antique Cameo and a Drawing by Raphael (L, 1987, pp. 204-205)

Ruth Rubinstein

The Venus Belvedere: An Episode in Restoration (L, 1987, pp. 205-214)

Arnold Nesselrath

The Illustrations of Lucian’s Imago vitae aulicae (L, 1987, pp. 214-219)

Jean Michel Massing

Benedetto Varchi and the Visual Arts (L, 1987, pp. 219-224)

Francois Quiviger

An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella’s Elogia Illustrium Artificum of 1606 (L, 1987, pp. 224-232)

  1. E. H. Gombrich

Rubens’s Musathena (L, 1987, pp. 233-245)

Elizabeth McGrath

Rembrandt’s Woman Taken in Adultery (L, 1987, pp. 245-252)

Michael Podro

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Vol. LI (1988); Vol. LII (1989); Vol. LIII (1990); Vol. LIV (1991); Vol. LV (1992); Vol. LVI (1993); Vol. LVII (1994); Vol. LVIII (1995); Vol. LIX (1996); Vol. LX (1997).

Vol. LI, 1988

The Letter of Mardochaeus the Jew to Alexander the Great: A Lecture in Memory of Arnaldo Momigliano (LI, 1988, pp. 1-13)

  1. A. C. Dionisotti

Calendar Dates and Ominous Days in Ancient Historiography (LI, 1988, pp. 14-42)

  1. A. T. Grafton; N. M. Swerdlow

Maimonides in Muscovy: Medical Texts and Terminology (LI, 1988, pp. 43-65)

  1. W. F. Ryan

Joachimist Prophecies in Sebastiano del Piombo’s Borgherini Chapel and Raphael’s Transfiguration (LI, 1988, pp. 66-83)

Josephine Jungic

Jurisconsultus Perfectus: The Lawyer as Renaissance Man (LI, 1988, pp. 84-102)

Donald R. Kelley

Cassiano dal Pozzo’s Copy of the Zaccolini Manuscripts (LI, 1988, pp. 103-125)

Janis C. Bell

The Reception of the ‘New Philosophy’ in Eighteenth-Century Spain (LI, 1988, pp. 126-140)

Anthony Pagden

Sir Joshua Reynolds and Italian Art and Art Literature. A Study of the Sketchbooks in the British Museum and in Sir John Soane’s Museum (LI, 1988, pp. 141-168)

Giovanna Perini

Remarks on a Magical Inscription (LI, 1988, p. 169)

  1. R. W. Daniel; P. J. Sijpesteijn

Ramon Lull and Ecstatic Kabbalah: A Preliminary Observation (LI, 1988, pp. 170-174)

Moshe Idel

The Assumption of the Virgin on the Tabernacle of Orsanmichele (LI, 1988, pp. 174-180)

Brendan Cassidy

Snow Blindness and Underground Fish-Migration: Two More Notes on Theophrastus (LI, 1988, pp. 181-184)

  1. R. W. Sharples

Piers Plowman and Local Iconography: The Font at Eardisley, Herefordshire (LI, 1988, pp. 184-186)

  1. R. E. Kaske

Mnemosyne and Calliope in the ‘Chapel of the Muses’, San Francesco, Rimini (LI, 1988, pp. 186-187)

Catherine King

More on Ibn Al-Hatim (LI, 1988, pp. 188-190)

Kristen Lippincott

Did Leonardo Develop a Theory of Curvilinear Perspective?: Together with Some Remarks on the ‘Angle’ and ‘Distance’ Axioms (LI, 1988, pp. 190-196)

James Elkins

The Iconographical Sources of a Composite Manuscript from the Library of Raphael de Mercatellis (LI, 1988, pp. 197-209)

Alain Arnould

Cannibalized Prints and Early Art History: Vasari, Bellori and Freart de Chambray on Raphael (LI, 1988, pp. 210-220)

Jeremy Wood

The Prophet Armed: Machiavelli, Savonarola, and Rosso Fiorentino’s Moses Defending the Daughters of Jethro (LI, 1988, pp. 220-225)

Vivien Gaston

Francesco Xanto Avelli and Petrarch (LI, 1988, pp. 225-234)

Alison Holcroft

Homer, Greek Heroes and Hellenism in Giulio Romano’s Hall of Troy (LI, 1988, pp. 235-242)

Bette L. Talvacchia

Some Newly-Discovered Works by Pirro Ligorio (LI, 1988, pp. 242-245)

Ginette Vagenheim

Caravaggio’s Calling of St Matthew Reconsidered (LI, 1988, pp. 245-250)

Angela Hass

The Meaning of Perseus and Andromeda in the Farnese Gallery and on the Rubens House (LI, 1988, pp. 250-260)

John Beldon Scott

Rembrandt’s Jeremiah (LI, 1988, pp. 260-264)

Sanford Budick

Vol. LII, 1989

Indian Planetary Images and the Tradition of Astral Magic (LII, 1989, pp. 1-13)

David Pingree

The Battle between Christ and Satan in the Tiberius Psalter (LII, 1989, pp. 14-33)

  1. K. M. Openshaw

Action and Report: The Problem of Indirect Narration in the Academic Theory of Painting (LII, 1989, pp. 34-51)

Sixten Ringbom

On the Prehistory of Politian’s Miscellaneorum centuria secunda (LII, 1989, pp. 52-70)

Francesco Lo Monaco

The Illustrious Poets in Signorelli’s Frescoes for the Cappella Nuova of Orvieto Cathedral (LII, 1989, pp. 71-84)

Rose Marie San Juan

Vincenzo Borghini and the Impresa (LII, 1989, pp. 85-110)

  1. R. A. Scorza

A Treatise by Francesco Bocchi in Praise of Andrea del Sarto (LII, 1989, pp. 111-139)

Robert Williams

Some Elizabethan Allegorical Paintings: A Preliminary Enquiry (LII, 1989, pp. 140-166)

David Evett

Jonathan Richardson, Lord Somers’s Collection of Drawings, and Early Art-Historical Writing in England (LII, 1989, pp. 167-187)

Carol Gibson-Wood

Private and Public Patronage in Victorian Newcastle (LII, 1989, pp. 188-208)

Dianne Sachko Macleod

Aristotle’s Advice to Alexander: Two English Metrical Versions of an Alexandreis Passage (LII, 1989, pp. 209-213)

Telfryn Pritchard

The Nomoi of Gemistos Plethon in the Light of Plato’s Laws (LII, 1989, pp. 214-219)

Ruth Webb

An Unknown Letter by Vittorino da Feltre (LII, 1989, pp. 219-221)

  1. D. S. Chambers

Leon Battista Alberti’s Inscriptions on the Holy Sepulchre in the Cappella Rucellai, San Pancrazio, Florence (LII, 1989, pp. 221-228)

Christine M. Sperling

When Was Michelangelo Born? (LII, 1989, pp. 228-232)

Kristen Lippincott

An Unnoticed Description of Isabella d’Este’s Grotta (LII, 1989, pp. 232-235)

  1. S. Kolsky

An Allegory of Renaissance Politics in a Contemporary Italian Engraving: The Prognostic of 1510 (LII, 1989, pp. 236-240)

Mark J. Zucker

St Luke of Bavaria by Engelhard de Pee (LII, 1989, pp. 240-245)

Zygmunt Wazbinski

Rubens’s Latin Inscriptions on His Copies after Holbein’s Dance of Death (LII, 1989, pp. 245-250)

Kristin Lohse Belkin

Painted Statues, Ben Jonson and Shakespeare (LII, 1989, pp. 250-253)

  1. B. J. Sokol

Hannibal’s Dream: A Painting by Jan Miel after an Idea by Emanuele Tesauro (LII, 1989, pp. 253-256)

Friso Lammertse

New Light on the Spanish Ambassador’s Purchases from Charles I’s Collection 1649-53 (LII, 1989, pp. 257-267)

Albert J. Loomie

Hogarth’s Fruitful Invention: Observations on Harlot’s Progress, Plate III (LII, 1989, pp. 267-269)

Barry Wind

Vol. LIII, 1990

Astronomical Chronology and Prophecy: Jean-Dominique Cassini’s Discovery of Josephus’s Great Lunisolar Period of the Patriarchs (LIII, 1990, pp. 1-13)

  1. N. M. Swerdlow

Ancient Perspective and Euclid’s Optics (LIII, 1990, pp. 14-41)

Richard Tobin

Transfiguratio Domini in the Apse at Mount Sinai and the Symbolism of Light (LIII, 1990, pp. 42-60)

Jerzy Miziolek

The Consolatio Philosophiae of Boethius in Medieval Spain (LIII, 1990, pp. 61-70)

Dietrich Briesemeister

A Metrological Investigation (LIII, 1990, pp. 71-97)

Peter Kidson

Galvano Fiamma, Azzone Visconti and the Revival of the Classical Theory of Magnificence (LIII, 1990, pp. 98-113)

Louis Green

Measured Appearances: Documentation and Design in Early Perspective Drawing (LIII, 1990, pp. 114-132)

Jehane R. Kuhn

The Sepulchre on the Facade: A Re-Evaluation of Sigismondo Malatesta’s Rebuilding of San Francesco in Rimini (LIII, 1990, pp. 133-143)

Helen S. Ettlinger

Cosimo de’ Medici and the ‘Platonic Academy’ (LIII, 1990, pp. 144-162)

James Hankins

The Image of a Fifteenth-Century Court: Secular Frescoes for the Castello di Porta Giovia, Milan (LIII, 1990, pp. 163-184)

Evelyn Samuels Welch

Two Astrological Ceilings Reconsidered: The Sala di Galatea in the Villa Farnesina and the Sala del Mappamondo at Caprarola (LIII, 1990, pp. 185-207)

Kristen Lippincott

An Illustrated Incunable of Pliny’s Natural History in the Biblioteca Palatina, Parma (LIII, 1990, pp. 208-216)

Hermann Walter

Ars Tornandi: Baroque Architecture and the Lathe (LIII, 1990, pp. 217-236)

Joseph Connors

Petronius and Neo-Latin Satire: The Reception of the Cena Trimalchionis (LIII, 1990, pp. 237-249)

Anthony Grafton

‘Johannes Tertius’: Goethe and Renaissance Latin Poetry (LIII, 1990, pp. 250-265)

Peter Godman

Expiatory Monuments by Carlo Marochetti in Dorset and the Isle of Wight (LIII, 1990, pp. 266-280)

Philip Ward-Jackson

The Trail for Archimedes’s Tomb (LIII, 1990, pp. 281-286)

  1. D. L. Simms

Archimedes’s Tomb and the Artists: A Postscript (LIII, 1990, pp. 286-288)

  1. J. B. Trapp

The Name Picatrix: Transcription or Translation? (LIII, 1990, pp. 289-296)

  1. J. Thomann

Filarete’s Portrait Signature on the Bronze Doors of St Peter’s and the Dance of Bathykles and His Assistants (LIII, 1990, pp. 296-299)

Catherine King

Pollaiuolo’s Lost Hercules and the Lion Recorded on Maiolica? (LIII, 1990, pp. 299-301)

Timothy Wilson

The Procession Portrait of Queen Elizabeth I: A Note on a Tradition (LIII, 1990, pp. 301-307)

David Armitage

Cesare Ripa: New Biographical Evidence (LIII, 1990, pp. 307-312)

Chiara Stefani

The Story of Dryope: A Rare Subject from Ovid’s Metamorphoses (LIII, 1990, pp. 312-315)

Ursula Sdunnus

Vol. LIV, 1991

The Ysagoge in Theologiam and the Commentaries Attributed to Bernard Silvestris (LIV, 1991, pp. 1-42)

Michael Evans

The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art (LIV, 1991, pp. 43-82)

Scot McKendrick

Hercules and David in the Early Decoration of the Palazzo Vecchio: Manuscript Evidence (LIV, 1991, pp. 83-98)

Maria Monica Donato

The Torlonia Vase: History and Visual Records from the Fifteenth to the Nineteenth Centuries (LIV, 1991, pp. 99-116)

Luca Leoncini

Real Architecture, Imaginary History: The Arsenale Gate as Venetian Mythology (LIV, 1991, pp. 117-126)

Ralph Lieberman

Leonardo da Vinci’s Grotesque Heads and the Breaking of the Physiognomic Mould (LIV, 1991, pp. 127-136)

Michael W. Kwakkelstein

Perspectivist Aristotelianism: Three Case-Studies of Cinquecento Visual Theory (LIV, 1991, pp. 137-158)

Thomas Frangenberg

Alessandro Farnese, Giovanni della Casa and Titian’s Danae in Naples (LIV, 1991, pp. 159-171)

Roberto Zapperi

A Florentine Sketchbook: Architecture, Apparati and the Accademia del Disegno (LIV, 1991, pp. 172-185)

  1. R. A. Scorza

From Imaginary Drama to Dramatized Imagery: The Mappe-Monde Nouvelle Papistique, 1566-67 (LIV, 1991, pp. 186-205)

Dror Wahrman

A Spartan Academic Banquet in Siena (LIV, 1991, pp. 206-225)

Francois Quiviger

A Fragment of ‘Liberal Arts’ Embroidery (LIV, 1991, pp. 226-230)

Margaret Gibson

The Superiority of Taste (LIV, 1991, pp. 230-238)

Charles Burnett

Pietro d’Abano on Giotto (LIV, 1991, pp. 238-244)

  1. J. Thomann

Riccobaldo of Ferrara and Giotto: An Update (LIV, 1991, p. 244)

  1. A. T. Hankey

The Camera dello Zodiaco of Federico II Gonzaga (LIV, 1991, pp. 244-247)

Kristen Lippincott; Rodolfo Signorini

Daniele da Volterra’s Satirical Defence of His Art (LIV, 1991, pp. 247-252)

David Jaffe

Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck (LIV, 1991, pp. 253-256)

  1. E. H. Gombrich

Iungit Amor: Royal Marriage Imagery in France, 1550-1750 (LIV, 1991, pp. 256-261)

David Watkin

Milton, Fletcher and the Gunpowder Plot (LIV, 1991, pp. 261-268)

David Quint

Disegni for the Tomb of Alexander VII (LIV, 1991, pp. 268-273)

Michael Koortbojian

Vol. LV, 1992

The Black Andromeda (LV, 1992, pp. 1-18)

Elizabeth McGrath

Medieval Proverb Collections: The West European Tradition (LV, 1992, pp. 19-35)

Barry Taylor

The Arabic Beast Fable (LV, 1992, pp. 36-50)

Robert Irwin

The Early History of the Tempio Malatestiano (LV, 1992, pp. 51-154)

Charles Hope

The Auto da Fe: Ritual and Imagery (LV, 1992, pp. 155-168)

Francisco Bethencourt

Agricola’s Use of the Comparison between Writing and the Visual Arts (LV, 1992, pp. 169-179)

Peter Mack

Rosso Fiorentino’s Betrothal of the Virgin: Patronage and Interpretation (LV, 1992, pp. 180-199)

David Franklin

Republicanism in the Visual Propaganda of Cosimo I de’ Medici (LV, 1992, pp. 200-209)

Henk Th. van Veen

The Concept of Houding in Dutch Art Theory (LV, 1992, pp. 210-232)

Paul Taylor

The Theory of the Musical Modes in the Academie Royale de Peinture et de Sculpture (LV, 1992, pp. 233-248)

Jennifer Montagu

The Reasoning Eye: Alexander Pope’s Typographic Vision in the Essay on Man (LV, 1992, pp. 249-262)

Tania Rideout

The Chancellor’s Two Bodies: Note on a Miniature in BNP lat. 4915 (LV, 1992, pp. 263-265)

  1. P. S. Lewis

The Frontispiece to an Illuminated Panegyric of Henry VII: A Note on the Sources (LV, 1992, pp. 266-270)

Paul Gwynne

Domenico Campagnola’s Premonition of Meliboeus (LV, 1992, pp. 270-272)

Louis Waldman

Francesco Bocchi on Disegno (LV, 1992, pp. 272-277)

Claudia Hattendorff

Cesare Ripa and the Sala Clementina (LV, 1992, pp. 277-282)

Christopher L. C. E. Witcombe

Vol. LVI, 1993

Poimandres: The Etymology of the Name and the Origins of the Hermetica (LVI, 1993, pp. 1-24)

Peter Kingsley

Medieval Byzantine Magical Amulets and Their Tradition (LVI, 1993, pp. 25-62)

Jeffrey Spier

Europa and the Winged Mercury on Two Cassone Panels from the Czartoryski Collection (LVI, 1993, pp. 63-74)

Jerzy Miziolek

The Rhetorical Works of George of Trebizond and their Debt to Cicero (LVI, 1993, pp. 75-84)

  1. C. Joachim Classen

Infanticide in Passover Iconography (LVI, 1993, pp. 85-99)

David J. Malkiel

Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500 (LVI, 1993, pp. 100-118)

Janis Bell

Tommaso della Porta’s ‘Castles in the Air’ (LVI, 1993, pp. 119-167)

Gerda Panofsky

The Geometrical Order of the World: Otto Van Veen’s Physicae et theologicae conclusiones (LVI, 1993, pp. 168-182)

Christoph Geissmar

The Stuart Court Masque and the Theatre of the Greeks (LVI, 1993, pp. 183-208)

John Peacock

Egbert van Heemskerck’s Quaker Meetings Revisited (LVI, 1993, pp. 209-228)

Harry Mount

The Political Background to Thornhill’s Paintings in St Paul’s Cathedral (LVI, 1993, pp. 229-237)

Carol Gibson-Wood

Some Eighteenth-Century ‘Restored’ Boxers (LVI, 1993, pp. 238-255)

Seymour Howard

‘Puro senza ornato’: Masaccio, Cristoforo Landino and Leonardo da Vinci (LVI, 1993, pp. 256-260)

Hellmut Wohl

Isabella d’Este’s Philostratos (LVI, 1993, pp. 260-267)

Michael Koortbojian; Ruth Webb

Wealth, Art, and Display: The Grimani Cameos in Renaissance Venice (LVI, 1993, pp. 268-274)

Marilyn Perry

New Documents concerning the Discovery and Early History of the Nozze Aldobrandini (LVI, 1993, pp. 274-280)

Francesca Cappelletti; Caterina Volpi

An Apocryphal Source in the Me’ or ‘Enayim of Azariah de’ Rossi (LVI, 1993, pp. 280-284)

Joanna Weinberg

Vol. LVII, 1994

From Pythagoras to the Turba philosophorum: Egypt and Pythagorean Tradition (LVII, 1994, pp. 1-13)

Peter Kingsley

The Sun’s Night Journey: A Pharaonic Image in Medieval Ireland (LVII, 1994, pp. 14-34)

John Carey

The Iconography of Kingship in the Walter of Milemete Treatise (LVII, 1994, pp. 35-47)

Michael Michael

Titian’s Mary Magdalen in the Palazzo Pitti: An Ambiguous Painting and Its Critics (LVII, 1994, pp. 48-59)

Bernard Aikema

Vesalius and Human Diversity in De humani corporis fabrica (LVII, 1994, pp. 60-88)

Nancy G. Siraisi

L’Homme-microcosme dans une estampe medico-philosophique du seizieme siecle (LVII, 1994, pp. 89-122)

  1. H. D. Saffrey

An Egyptian Traveller in the Republic of Letters: Josephus Barbatus or Abudacnus the Copt (LVII, 1994, pp. 123-150)

Alastair Hamilton

Personata Stoa: Neostoicism and Senecan Tragedy (LVII, 1994, pp. 151-174)

Roland Mayer

Van Dyck’s Last Religious Commission: An Altarpiece for Antwerp Cathedral (LVII, 1994, pp. 175-190)

Frans Baudouin

The Geometry of a Dome: Ludovico David’s Dichiarazione della pittura della capella del Collegio Clementino di Roma (LVII, 1994, pp. 191-208)

Thomas Frangenberg

Horace Walpole and Eighteenth-Century Garden History (LVII, 1994, pp. 209-226)

Stephen Bending

Jacob Burckhardt as Architect of a New Art History (LVII, 1994, pp. 227-242)

Martina Sitt

Two Thirteenth-Century Manuscripts of Crusader Legal Texts from Saint-Jean d’Acre (LVII, 1994, pp. 243-254)

Peter Edbury; Jaroslav Folda

Matthias Wagener and Traces of Antonite Humanism in Cologne (LVII, 1994, pp. 254-263)

Peter Macardle

Antique Candelabra in Frescoes by Bernardino Gatti and a Drawing by Giulio Romano (LVII, 1994, pp. 264-269)

Jacqueline Biscontin

Two Notes on Decorations in the Galerie Francois I at Fontainebleau (LVII, 1994, pp. 270-278)

Sylvie Beguin

The Pythagorean Inscription on Rosa’s London ‘Self-Portrait’ (LVII, 1994, pp. 278-283)

Eckhard Leuschner

Vol. LVIII, 1995

The St Albans Psalter: A Reconsideration (LVIII, 1995, pp. 1-28)

Kristine E. Haney

Defining the Corpus Aristotelicum: Scholastic Awareness of Aristotelian Spuria in the High Middle Ages (LVIII, 1995, pp. 29-51)

Steven J. Williams

The Villa Farnesina, Time-Telling Conventions and Renaissance Astrological Practice (LVIII, 1995, pp. 53-71)

Mary Quinlan-McGrath

Roman Customs Registers 1470-80: Items of Interest to Historians of Art and Material Culture (LVIII, 1995, pp. 72-87)

Arnold Esch

Botticelli’s Mystic Nativity, Savonarola and the Millennium (LVIII, 1995, pp. 89-114)

Rab Hatfield

The Art of Talking about Sculpture: Vasari, Borghini and Bocchi (LVIII, 1995, pp. 115-131)

Thomas Frangenberg

Ioannes Wower of Hamburg, Philologist and Polymath. A Preliminary Sketch of His Life and Works (LVIII, 1995, pp. 132-151)

Luc Deitz

Henry Savile and the Tychonic World-System (LVIII, 1995, pp. 152-179)

Robert Goulding

From Greek Proverb to Soap Advert: Washing the Ethiopian (LVIII, 1995, pp. 180-201)

Jean Michel Massing

Early Anglo-Norman Receipts for Colours (LVIII, 1995, pp. 203-209)

Tony Hunt

The Sitter for Jan van Eyck’s ‘Leal Sovvenir’ (LVIII, 1995, pp. 210-215)

Jacques Paviot

Scipio’s Wounds (LVIII, 1995, pp. 216-234)

Silvia Tomasi Velli

A Fifteenth-Century Site Report on the Vatican Obelisk (LVIII, 1995, pp. 234-248)

Brian Curran; Anthony Grafton

A Renaissance Image of Jupiter Stator (LVIII, 1995, pp. 249-252)

Paul Gwynne

Aspects of Collecting in Renaissance Padua: A Bust of Socrates for Niccolo Leonico Tomeo (LVIII, 1995, pp. 252-265)

Jonathan Woolfson; Andrew Gregory

A Garden of Statues and Marbles: The Soderini Collection in the Mausoleum of Augustus (LVIII, 1995, pp. 265-284)

Anna Maria Riccomini

Vol. LIX, 1996

The Knot of the Heavens (LIX, 1996, pp. 1-13)

Godefroid de Callatay

Two Astromagical Manuscripts of Alfonso X (LIX, 1996, pp. 14-23)

Alejandro Garcia Aviles

Giotto’s Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: A Reconstruction (LIX, 1996, pp. 24-47)

Eva Frojmovic

Aristotle for the Layman: Sense Perception in the Poetry of Ausias March (LIX, 1996, pp. 48-60)

Lluis Cabre

The Crucified Monk (LIX, 1996, pp. 61-102)

Almuth Seebohm

New Findings about Andrea Mantegna: His Son Ludovico’s Post-Mortem Inventory (1510) (LIX, 1996, pp. 103-118)

Rodolfo Signorini

The Image of Alexander VI and Cesare Borgia in the Sixteenth and Seventeenth Centuries (LIX, 1996, pp. 119-129)

  1. J. N. Hillgarth

Britannia and Melita: Pseudomorphic Sisters (LIX, 1996, pp. 130-147)

Derk Kinnane-Roelofsma

The Florentine entrata of Joanna of Austria and Other Entrate Described in a German Diary (LIX, 1996, pp. 148-173)

  1. M. A. Katritzky

Carolus Scribanius’s Observations on Art in Antwerp (LIX, 1996, pp. 174-204)

Julius S. Held

The Changing Image of Gustavus Adolphus on German Broadsheets, 1630-3 (LIX, 1996, pp. 205-244)

John Roger Paas

A Private Homage to Galileo. Anton Domenico Gabbiani’s Frescoes in the Pitti Palace (LIX, 1996, pp. 245-273)

Thomas Frangenberg

An ‘Early Christian’ Terracotta Altar (LIX, 1996, pp. 274-279)

David Knipp

Elkanah’s Gift: Texts and Meaning in the Bury Bible Miniature (LIX, 1996, pp. 279-285)

  1. C. Michael Kauffmann

The Vision of St Anthony on a Thebaid Panel at Christ Church, Oxford (LIX, 1996, pp. 286-294)

Christian Heck

Erasmus on William Grocyn and Ps-Dionysius: A Re-Examination (LIX, 1996, pp. 294-303)

  1. J. B. Trapp

The Creation of Adam: A Detail in Mantegna’s Madonna della Vittoria (LIX, 1996, pp. 303-304)

Rodolfo Signorini

Some Misdated Letters of Pietro Aretino (LIX, 1996, pp. 304-314)

Charles Hope

Henry VIII’s Illuminated ‘Great Bible’ (LIX, 1996, pp. 315-324)

Tatiana C. String

The Fortuna of Juan Gines de Sepulveda’s Translations of Aristotle and of Alexander of Aphrodisias (LIX, 1996, pp. 325-332)

Alejandro Coroleu

The Iconography of Velazquez’s Aesop (LIX, 1996, pp. 332-337)

Nicholas Tromans

Vol. LX, 1997

Lifting the Veil: Two Typological Diagrams in the Hortus deliciarum (LX, 1997, pp. 1-22)

Annette Kruger; Gabriele Runge

Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605 (LX, 1997, pp. 23-88)

  1. D. S. Chambers

Petrus Christus’s Our Lady of the Dry Tree (LX, 1997, pp. 89-110)

Hugo van der Velden

Greek Inscriptions on Two Venetian Renaissance Paintings (LX, 1997, pp. 111-129)

Mauro Lucco; Anna Pontani

Jacopo Tintoretto’s Altarpiece of St Agnes at the Madonna dell’Orto in Venice and the Memorialisation of Cardinal Contarini (LX, 1997, pp. 130-163)

Michael Douglas-Scott

The Last Tribute to Isabella of Bourbon at Salamanca (LX, 1997, pp. 164-193)

Emilia Montaner

John Evelyn and the Garden of Epicurus (LX, 1997, pp. 194-214)

Alastair Small; Carola Small

On Reynolds’s Use of de Piles, Locke, and Hume in His Essays on Rubens and Gainsborough (LX, 1997, pp. 215-229)

Amal Asfour; Paul Williamson

King Avicenna: The Iconographic Consequences of a Mistranslation (LX, 1997, pp. 230-243)

Dag Nikolaus Hasse

Piero della Francesca’s Giants (LX, 1997, pp. 243-247)

Paul Taylor; Caroline Van Eck

Youth and Spring in Botticelli’s Primavera (LX, 1997, pp. 248-251)

Nicolai Rubinstein

Lorenzo Lotto’s Virgin and Child with St Onophrius and St Ignatius of Antioch (LX, 1997, pp. 251-253)

David Ekserdjian

Savonarolan Prophecy in Leonardo’s Allegory with Wolf and Eagle (LX, 1997, pp. 253-260)

Josephine Jungic

Hans Mielich at Titian’s Studio (LX, 1997, pp. 260-261)

Charles Hope

Towards a History of the Library of Antonio Agustin (LX, 1997, pp. 261-272)

Marc Mayer

New Light on Two ‘Venuses’ by Correggio (LX, 1997, pp. 272-275)

Guido Rebecchini

The Enigma of St Joseph in Poussin’s Holy Family on the Steps (LX, 1997, pp. 276-281)

Joseph F. Chorpenning

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Vol. LXI (1998); Vol. LXII (1999); Vol. LXIII (2000); Vol. LXIV (2001); Vol. LXV (2002); Vol. LXVI (2003); Vol. LXVII (2004); Vol. LXVIII (2005); Vol. LXIX (2006); Vol. LXX (2006); Vol. LXXI (2007)

Vol. LXI, 1998

The Berardenga Antependium and the Passio Ymaginis Office (LXI, 1998, pp. 1-16)

Michele Bacci

The Book Collection and Other Possessions of Baldassarre Castiglione (LXI, 1998, pp. 17-52)

Guido Rebecchini

Sacrilege and Redemption in Renaissance Florence: The Case of Antonio Rinaldeschi (LXI, 1998, pp. 53-92)

William J. Connell; Giles Constable

Antoine Morillon, Antiquarian and Medallist (LXI, 1998, pp. 93-110)

  1. M. H. Crawford

Ramus Reading: The Commentaries on Cicero’s Consular Orations and Vergil’s Eclogues and Georgics (LXI, 1998, pp. 111-141)

Peter Mack

Individuality and Inwardness in the Literary Character Sketches of the Seventeenth Century (LXI, 1998, pp. 142-157)

Jacques Bos

Giovanni Guerra and the Illustrations to Ripa’s Iconologia (LXI, 1998, pp. 158-175)

Stefano Pierguidi

Between Tiger and Unicorn: The Temple of Love (LXI, 1998, pp. 176-197)

Axel Stahler

Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya’s Yard with Lunatics and Related Works (LXI, 1998, pp. 198-252)

Peter K. Klein

An Emended Joke in Gerald of Wales (LXI, 1998, pp. 253-254)

Michael Evans

A Note on the Ancestors of Christ in the Sistine Chapel (LXI, 1998, pp. 254-258)

Lisa Pon

Castiglione and Erasmus: Towards a Reconciliation? (LXI, 1998, pp. 258-260)

Guido Rebecchini

The Lambe Speaketh... An English Protestant Satire (LXI, 1998, pp. 261-267)

Rowena J. Smith

Joris Hoefnagel’s ‘Emblematic’ Signature Reconsidered (LXI, 1998, pp. 267-272)

Lubomir Konecny

Veronese, Callet and the Black Boy at the Feast (LXI, 1998, pp. 272-276)

Elizabeth McGrath

Vol. LXII, 1999

Ambrogio Lorenzetti’s “Buon Governo” Frescoes: Two Old Questions, Two New Answers (LXII, 1999, pp. 1-28)

Quentin Skinner

The Annotations of Nicolaus Cusanus and Giovanni Andrea Bussi on the “Asclepius” (LXII, 1999, pp. 29-59)

Pasquale Arfé

Figured Riches: The Value of Gold Brocades in Fifteenth-Century Florentine Painting (LXII, 1999, pp. 60-92)

Rembrandt Duits

The Scientific Instruments in Holbein’s “Ambassadors”: A Re-Examination (LXII, 1999, pp. 93-125)

Elly Dekker; Kristen Lippincott

As Good as Gold: The Mobile Earth and Early Modern Economics (LXII, 1999, pp. 126-166)

Eileen Reeves

Lipsius and his Dogs: Humanist Tradition, Iconography and Rubens’s “Four Philosophers” (LXII, 1999, pp. 167-198)

Jan Papy

Isaac Fuller’s “Escape of Charles II”: A Restoration Tragicomedy (LXII, 1999, pp. 199-240)

David H. Solkin

Jean Hardouin: The Antiquary as Pariah (LXII, 1999, pp. 241-267)

Anthony Grafton

Aby Warburg: his Aims and Methods. An Anniversary Lecture (LXII, 1999, pp. 268-282)

  1. E. H. Gombrich

Baluster-Cornered Box Tombs (LXII, 1999, pp. 287-295)

  1. A. D. Harvey

Lorenzo de’ Medici’s Acquisition of the “Sigillo di Nerone” (LXII, 1999, pp. 283-286)

Melissa Meriam Bullard; Nicolai Rubinstein

Vol. LXIII, 2000

Who Wrote the “Twelfth Oration” of Themistius? (LXIII, 2000, pp. 1-23)

Robert Goulding

Tradition and Innovation: Archbishop Chrodegang (742-66) and the Thirteenth-Century Family of Churches at Metz (LXIII, 2000, pp. 24-58)

Christoph Brachmann

The Aretine Polyptych by Pietro Lorenzetti: Patronage, Iconography and Original Setting (LXIII, 2000, pp. 59-110)

Giovanni Freni

Tommaso Malvito and Neapolitan Tomb Design of the Early Cinquecento (LXIII, 2000, pp. 111-130)

Yoni Ascher

Conversations with the Dead: Quevedo and Statius, Annotation and Imitation (LXIII, 2000, pp. 131-168)

Hilaire Kallendorf; Craig Kallendorf

The Horrible Tail-Man and the Anglo-Dutch Wars (LXIII, 2000, pp. 169-186)

Elizabeth Staffell

‘In This Time Without Emperors’: The Politics of Ernst Kantorowicz’s “Kaiser Friedrich der Zweite” Reconsidered (LXIII, 2000, pp. 187-242)

Martin A. Ruehl

Berthold of Moosburg’s Hermetic Sources (LXIII, 2000, pp. 243-258)

Antonella Sannino

The Chapel of San Girolamo in Santa Maria del Popolo in Rome. New Evidence for the Discovery of the Domus Aurea (LXIII, 2000, pp. 259-270)

Claudia La Malfa

Further Evidence about the Books of Baldassarre Castiglione (LXIII, 2000, pp. 271-276)

Guido Rebecchini

The “Paragone” between Word and Image in “Impresa” Literature (LXIII, 2000, pp. 277-286)

Dorigen Caldwell

“The Lambe Speaketh...” An Addendum (LXIII, 2000, pp. 287-294)

Malcolm Jones

The Old Woman in Velázquez’s “Kitchen Scene with Christ’s Visit to Martha and Mary” (LXIII, 2000, pp. 295-302)

Marta Cacho Casal

Vol. LXIV, 2001

Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria (LXIV, 2001, pp. 1-54)

Donal Cooper

Petrarch’s Laura: The Portraiture of an Imaginary Beloved (LXIV, 2001, pp. 55-192)

  1. J. B. Trapp

Richard Trewythian and the Uses of Astrology in Late Medieval England (LXIV, 2001, pp. 193-228)

Sophie Page

The Prehistory of Modern Scepticism: Sextus Empiricus in Fifteenth-Century Italy (LXIV, 2001, pp. 229-279)

Gian Mario Cao

Joachim of Fiore and the Images of the Apocalypse according to St John (LXIV, 2001, pp. 281-295)

Marjorie Reeves

Isabella d’Este and the Travel Diary of Antonio de Beatis (LXIV, 2001, pp. 296-308)

  1. D. S. Chambers

Vol. LXV, 2002

The Eleventh-Century Shift in the Reception of Plato’s Timaeus and Calcidius’s Commentary (LXV, 2002, pp. 1-21)

Anna Somfai

‘Palma dabit Palmam’: Franciscan Themes in a Devotional Manuscript (LXV, 2002, pp. 22-66)

Amy Neff

Ludovico il Moro and his Moors (LXV, 2002, pp. 67-94)

Elizabeth McGrath

A Regulated Suasion: The Regulating Lines of Francesco di Giorgio and Philibert de l’Orme (LXV, 2002, pp. 95-131)

Giovanni Galli

The De’ Rossi Collection of Ancient Sculptures, Leo X, and Raphael (LXV, 2002, pp. 132-200)

Kathleen Wren Christian

A New Inventory of the Royal Aragonese Library of Naples (LXV, 2002, pp. 201-243)

Santiago López-Ríos

Bartoli, Giambullari and the Prefaces to Vasari’s “Lives” (1550) (LXV, 2002, pp. 244-258)

Thomas Frangenberg

Dioscorides in Utopia (LXV, 2002, pp. 259-261)

  1. J. B. Trapp

Leo Africanus’s “Descrittione dell’Africa” and its Sixteenth-Century Translations (LXV, 2002, pp. 262-272)

Crofton Black

Characterising the Passions: Michel Anguier’s Challenge to Le Brun’s Theory of Expression (LXV, 2002, pp. 273-282)

Julia K. Dabbs

Vol. LXVI, 2003

A Fresco Portrait of Virgil at Lucignano (LXVI, 2003, pp. 1-28)

Luke Houghton

The Laurentian Library and Michelangelo’s Architectural Method (LXVI, 2003, pp. 29-62)

David Hemsoll

Vincenzo Borghini’s Collection of Paintings, Drawings and Wax Models: New Evidence from Manuscript Sources (LXVI, 2003, pp. 63-122)

Rick Scorza

Inigo Jones, Capricious Ornament, and Plutarch’s Wise Man (LXVI, 2003, pp. 123-42)

  1. L. E. Semler

Cassiano Dal Pozzo, Poussin and the Making and Publication of Leonardo’s Trattato (LXVI, 2003, pp. 143-88)

Donatella Sparti

Playing Games with Otherness: Watteau’s Chinese Cabinet at the Château de La Muette (LXVI, 2003, pp. 189-247)

Katie Scott

The Mosaic of Speech: A Classical Topos in Renaissance Aesthetics (LXVI, 2003, pp. 249-63)

Eric MacPhail

A Note on Leonardi Bruni’s Latin Translation of Plato’s Letters (LXVI, 2003, pp. 265-66)

Wlodzimierz Olszaniec

Reassessing the Renaissance of the Palestrina Nile Mosaic (LXVI, 2003, pp. 267-71)

Claudia La Malfa

Myth and Astronomy in the Frescoes at Sant’Abbondio in Cremona (LXVI, 2003, pp. 273-88)

Charles Burnett; Marika Leino

Some Aspects of Cardinal Sigismondo Gonzaga’s Collections (LXVI, 2003, pp. 289-96)

Guido Rebecchini

The Spilsburys: A Note on Pseudonyms in Late Eighteenth-Century Art Publishing (LXVI, 2003, pp. 297-98)

Sally Humphreys

Vol. LXVII, 2004

The Sainte-Chapelle Lectionaries and the Illustration of the Parables in the Middle Ages (LXVII, 2004, pp. 1-22)

  1. C. M. Kauffmann

Aristotle in Medieval Spain: Writers of the Christian Kingdoms Confronting the Eternity of the World (LXVII, 2004, pp. 23-47)

Ann Giletti

Virtuous and Sinful Uses of Temporal Wealth in the Breviari d’Amor of Matfre Ermengaud (MS BL Royal 19.C.I) (LXVII, 2004, pp. 49-80)

Federico Botana

The Funding of the Façade of Santa Maria Novella (LXVII, 2004, pp. 81-127)

Rab Hatfield

Giannozzo Manetti, Alfonso of Aragon and Pompey the Great: a Crusading Document of 1455 (LXVII, 2004, pp. 129-156)

Paul Botley

Piero Pollaiuolo’s Lost Sacramental Altarpiece of the Corpus Domini (LXVII, 2004, pp. 157-192)

Stephen J. Milner

Studies in the Renaissance Reception of Ancient Vault Decoration (LXVII, 2004, pp. 193-231)

Hetty E. Joyce

Guercino’s EndymionHercules and Artemisia for Alessandro Argoli (LXVII, 2004, pp. 233-253)

Miriam Di Penta

On the Date of the Liber Nemroth (LXVII, 2004, pp. 255-257)

David Juste

Noah, Daniel and Job: the Three Righteous Men of Ezekiel 14.14 in Medieval Art (LXVII, 2004, pp. 259-267)

Berthold Kress

The Exchange of Models in Florentine Workshops of the Quattrocento: a Sheet from the ‘Verrocchio Sketchbook’ (LXVII, 2004, pp. 269-274)

Linda Pisani

Gigantomachia and the Wheel of Fortune in Works of Giulio Romano, Vincenzo Cartari and Anton Francesco Doni, and the Authorship of the Asinesca Gloria (LXVII, 2004, pp. 275-284)

Stefano Pierguidi

Michelangelo’s Mistakes in the Generation of Christ (LXVII, 2004, pp. 285-294)

Paul Taylor

Boötes on the Farnesina Ceiling (LXVII, 2004, pp. 295-300)

Paul Taylor

Vol. LXVIII, 2005

A Byzantine Portrait of Homer (LXVIII, 2005, pp. 1-26)

Filippomaria Pontani

The Felici Icon Tabernacle (1372) at S. Maria in Aracoeli Reconstructed (LXVIII, 2005, pp. 27-72)

Claudia Bolgia

The Bible moralisée in the Fifteenth Century and the Challenge of the Bible historiale (LXVIIII, pp. 73-136)

John Lowden

Filippo Alberici, Henry VII and Richard Fox: The English Fortunes of a Little-Known Humanist (LXVIII, 2005, pp. 137-155)

David Rundle

Copernicus’s Doctrine of Gravity and the Natural Circular Motion of the Elements (LXVIII, 2005, pp. 157-211)

Dilwyn Knox

The Blind Beating the Blind: An Unidentified ‘Game’ in a Marginal Illustration of the Romance of Alexander, MS Bodley 264 (LXVIII, 2005, pp. 213-217)

Edward Wheatley

Vol. LXIX, 2006

Petrarchan Places. An Essay in the Iconography of Commemoration (LXIX, 2006, pp. 1-50)

  1. J. B. Trapp

An Illustrated Mid-Fifteenth-Century Primer for a Flemish Girl: British Library, Harley MS 3828 (LXIX, 2006, pp. 51-94)

Kathryn Rudy

Jean Bodin and the Authorship of the Colloquium heptaplomeres (LXIX, 2006, pp. 95–150)

Noel Malcolm

Queen Elizabeth I as Urania (LXIX, 2006, pp. pp. 151–73)

Jean Wilson

A Ring on the Little Finger: Andreas Capellanus and Medieval Chiromancy (LXIX, 2006, pp. 175–191)

Stefano Rapisarda

Aristotle as Scribe of Nature: The Title-Page of MS Vat. Lat. 2094 (LXIX, 2006, pp. 193–205)

John Monfasani

Vol. LXX, 2007

A Visual Mirror of Princes: The Wheel on the Mural of Longthorpe Tower (LXX, 2007, pp. 1-32)

Bee Yun

Condottiere and his Books: Gianfrancesco Gonzaga (1446–96) (LXX, 2007, pp. 33–97)

  1. D. S. Chambers

New Evidence for Sculptures from Diomede Carafa’s Collection of Antiquities (LXX, 2007, pp. 99–117)

Bianca de Divitiis

Dating Pinturicchio’s Roman Frescoes and the Creation of a New all’antica Style (LXX, 2007, pp. 119–141)

Claudia La Malfa

Wohlstand and Decorum in Sixteenth-Century German Art Theory (LXX, 2007, pp. 143–155)

Hans Joachim Dethlefs

Justus Lipsius and his Silver Pen (LXX, 2007, pp. 157–194)

Marisa Bass

Pomis sua nomina servant: Emblematic Thesis Prints from the Roman Seminary (LXX, 2007, pp. 195–246)

Louise Rice

Jacob Jordaens and Moses’s Ethiopian Wife (LXX, 2007, pp. 247–285)

Elizabeth McGrath

Politics and Diplomacy: Emblems during the Infancy of Charles II of Spain (LXX, 2007, pp. 287–306)

Emilia Montaner

Revisiting Christ’s Tomb: A Note on a Miniature in Bodleian MS Douce 313 (LXX, 2007, pp. 307–310)

Achim Timmermann

A Pilgrim’s Memories of Jerusalem: Wallace Collection MS M319 (LXX, 2007, pp. 311–325)

Kathryn M. Rudy

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Vol. LXXI (2008)

Vol. LXXI, 2008 - A special issue to celebrate the 75th anniversary of the Courtauld Institute of Art

Foreword. 'Wondering about the Journal' (LXXI, 2008, pp. i-v)
John Lowden

Roriczer’s Iceberg (LXXI, 2008, pp. 1-20)
Peter Kidson

Framing the Objects We Study: Three Boxes from Late Roman Italy (LXXI, 2008, pp. 21-38)
Jas Elsner

The Origins of Europe (LXXI, 2008, pp. 39-53)
Eric Fernie

Rediscovering the Christ Pantocrator at Daphni (LXXI, 2008, pp. 55-74)
Robin Cormack

Ornata decenter: Perceptions of ‘Fitting Decoration’ Amongst Augustinian Canons of S. Orso in Aosta in the Mid Twelfth Century (LXXI, 2008, pp. 75-93)
Lucy Donkin

The Earliest Holy Kinship Image, The Salomite Controversy and a Little-Known Centre of Learning in Northern England in the Twelfth Century (LXXI, 2008, pp. 95-119)
Mellie Naydenova-Slade and David Park

Laude Dei Trini. Observations Towards a Reconstruction of Giovanni Pisano’s Pistoia Pulpit (LXXI, 2008, pp. 121-138)
Peter Dent

Evidence for the Forms and Usage of Early Netherlandish Memorial Paintings (LXXI, 2008, pp. 139-168)
Douglas Brine

Architecture, Languages and Style in Fifteenth-Century Italy (LXXI, 2008, pp. 169-189)
Georgia Clarke

Beauty and Virtue for Francis I: Iohannes Ambrosius Nucetus and the Early Portrait Miniature (LXXI, 2008, pp. 191-210)
Stephanie Buck

Landscape all’antica and Topographical Anachronism in Roman Fresco Painting of the Sixteenth Century (LXXI, 2008, pp. 211-237)
Denis Ribouillault

The Old Woman as Art Critic: Speech and Silence in Response to the Passions, from Annibale Carracci to Denis Diderot (LXXI, 2008, pp. 239-260)
Sheila McTighe

History Without Values? Gérome’s History Paintings (LXXI, 2008, pp. 261-276)
John House

The Writings of a Savage? Literary Strategies in Paul Gauguin’s Noa Noa (LXXI, 2008, pp. 277-293)
Linda Goddard

Walter Sickert and Roger Fry: ‘Alight here for Whiteley’s’ (LXXI, 2008, pp. 295-314)
Caroline Arscott

Terra Italia: The Peasant Subject as Site of National and Socialist Identities in the Work of Renato Guttuso and Giuseppe de Santis (LXXI, 2008, pp. 315-334)
Lara Pucci